[The beautiful and sober former imperial concubine x the romantic and sinister founding emperor]
[Ancient romance + love at first sight + long-planned + clever robbery + palace fighting + chasing wife]
Once the country was overthrown, Zhou Qiang was reduced from a noble concubine holding the moon in the stars to a palace maid washing clothes in Yeting, and her family was sentenced to exile.
At this time, my mother is seriously ill and my sister-in-law is pregnant. How can a palace maid be able to protect the safety of her relatives and family?
She had no choice but to try her best to flatter the new emperor and make him his concubine.
Zhou Qiang knew that she had a special status and turned a blind eye to the new emperor's selection of concubines and queens. She even secretly imagined that when the new emperor got tired of her, she would secretly escape outside the palace and live a life of "flying like a bird".
By chance, she really got out of the prison of the palace.
But she was captured by the new emperor the next day. She thought he was going to punish her for escaping to death, but unexpectedly he ordered someone to give her a phoenix robe and golden seal.
He kissed her lips and said with a smile: "Qiangqiang doesn't want to be a concubine, so I will punish you to be my queen and stay in the palace with me for the rest of your life."
***
When Xiao Du came to Beijing as a military envoy, he met a noble lady by chance and regarded her as a confidant.
At that time, he was in trouble both internally and externally, and missed her.
After hearing that she had entered the palace as a concubine, during several sleepless nights, he vowed to seize the country and possess the beauty when all the vassal towns wanted to aspire to the Central Plains.
Reader comments
The male protagonist is engaged, the female protagonist thinks that the emperor is passionate (shadow of his predecessor), and is rational and clear-headed and refuses to be moved. The male protagonist really likes her but thinks she is unintentional, and can't help but do whatever it takes for her. This man often makes stupid moves. While taking concubines to stabilize the government (without touching him), he dotes on the heroine and wants to be sincere. However, the heroine becomes even more insecure and does not believe him. The two of them are locked in a deadlock and wait until the hero wants to break off the engagement. Well, it's very delicious.
But then again, although this kind of pulling is very good, if the heroine doesn't say it, the hero actually rarely sympathizes with the heroine's situation. For example, he blames the heroine for not wanting to have a child, but he never thought that the heroine would be afraid of giving birth to a eldest son and would not be able to live in peace. He wants the heroine's sincerity, but he must first give him a sense of security in such a situation. What he thinks is why he gives everything, and thinks that the heroine's lack of feedback is not enough to support him to face the pressure. In short, if the heroine hadn't run away and confessed, the man might have gradually become wiser, but he might also have lost his wife. So having a long mouth is still very important.
The male protagonist is engaged, the female protagonist thinks that the emperor is passionate (shadow of his predecessor), and is rational and clear-headed and refuses to be moved. The male protagonist really likes her but thinks she is unintentional, and can't help but do whatever it takes for her. This man often makes stupid moves. While taking concubines to stabilize the government (without touching him), he dotes on the heroine and wants to be sincere. However, the heroine becomes even more insecure and does not believe him. The two of them are locked in a deadlock and wait until the hero wants to break off the engagement. Well, it's very delicious. But then again, although this kind of pulling is very good, if the heroine doesn't say it, the hero actually rarely sympathizes with the heroine's situation. For example, he blames the heroine for not wanting to have a child, but he never thought that the heroine would be afraid of giving birth to a eldest son and would not be able to live in peace. He wants the heroine's sincerity, but he must first give him a sense of security in such a situation. What he thinks is why he gives everything, and thinks that the heroine's lack of feedback is not enough to support him to face the pressure. In short, if the heroine hadn't run away and confessed, the man might have gradually become wiser, but he might also have lost his wife. So having a long mouth is still very important.
Nice! Different style! Very nice
Short, concise and very beautiful