Su Yuzhou died suddenly from overwork, only to wake up in another world that was a cultural wasteland.
Then an activation prompt for the [Dimensional Livestream System] rang out in his mind.
The System’s welcome gift was the ability to voice every character in Honkai: Star Rail, along with its complete BGM library.
When the voices of more than a dozen characters switched seamlessly through a single microphone, the live comments went from arguing “voice changer” to calling him a “voice-acting monster.”
A max-level tycoon spent lavishly on thirty Carnival gifts for the laugh of a deranged Aeon. The music section’s top streamer and the dance section’s big spender were swept into this galaxy-spanning auditory storm one after another.
“Honkai: Star Rail” became a permanent fixture in the top ten trending searches. University clubs formed research teams overnight to analyze the philosophy of Paths frame by frame. Orchestras sent collaboration offers, and state media praised it as “a miracle of cultural revival.”
Viewers voted for Stelle’s character one vote at a time, argued all night over Cocolia’s betrayal, and were collectively devastated by that scene with Tingyun’s neck, yet couldn’t get enough of the razor-edged beauty of “If I Can Stop One Heart From Breaking.”
They had never imagined that one person’s voice chat room could make an entire planet fall in love with stories all over again.
From the Stellaron’s first awakening at Herta Space Station to Jarilo-VI, sealed beneath snow and ice for seven hundred years; from the cloud-kissed eaves of the Xianzhou Luofu to the bells of Penacony’s “A Night of Everlasting Joy.”
Just as Blue Star thought it had witnessed the limits of imagination, Su Yuzhou used a deep, previously unrevealed chant to steer the Astral Express toward an even more mysterious realm
It's a novel subject matter, and the plot is pretty concise. However, from time to time, the barrage doesn't match up, and the barrage of the later plot appears in front. The author can probably read it once after writing it, so this situation can be reduced a lot. Starting from Chapter 20, there has been a large-scale barrage chaos. Almost every barrage has errors. I have tried to ignore the mistakes, but five or six mistakes in one chapter are too much. [Awkward laugh]
The subject matter is very fresh. This is the first time I have seen this type of storytelling. However, some options can be returned and re-selected in the game, such as the options with information bubble patterns, and the arrow → cannot be returned once selected, so the protagonist or the author has omitted some information in this regard. Information, and some confusing settings. For example, when Himeko first met the Doommon in the space station, she said that we should take the pioneers with us, which was very dramatic. Also, when choosing the protagonist, they were still voting but did not get to the subsequent plot. One person said that the star was suitable for being chosen by Kafka or something. All in all, if the details are changed, it might be good. Now I can't stand it. Four stars is an encouragement. My original rating was probably three stars.
It's well written, and it feels like I've watched the plot again. Most of it is the original plot in the game. I just hope that some barrages can respond more to the background music. Some of Beng Tie's boss songs are great even without lyrics. And occasionally let the audience know the existence of the IF line, such as what will happen if the star stays on the space station, so that they have a concept of [the end], know the consequences of choosing some options, and let the audience know the meaning of Kafka's sentence "When you have the opportunity to make a choice, don't let yourself regret it." At present, the protagonist is taking the live broadcast route, so the previous stories are not understood by some new audiences, so I hope the protagonist can realize this problem and want to completely show a story in a different world instead of just showing it to real readers. He can write a novel to record it, or simply set up a game company to make Bengtie after he has money, like this? The writing is great, I will keep following the updates😋
Progress: 74 In the live broadcast room, the story of Bengtie is told in the way of a storyteller, not only using the voices of each character, but also using the audience's co-creation link, which is the line selection that appears when playing the game. The live broadcast room gives out the choices, and after the audience chooses, the protagonist reads out the lines, and then continues the story. This can be considered novel. To be honest, the pace is very slow. I am too impatient to wait. I retell it word for word. Now the plot has only reached the mining area. Yes, the main plot is told from the beginning. Those who want to review the plot of the game can read it.
Chapter 18: The power of the Last King begins to appear 🙂 Is this what you should know now? 1. I am not a little guy. 2. My name is Pioneer. 3. Do you have to discuss me in person? Leziren Research InstituteVote 3! "How much?" - This reaction is too true. Funny and sad at the same time.
In fact, I personally feel that the musical shock of Wildfire can be written about, as well as Hook and Natasha's phrases "What a blue roof" and "That's not a roof, that's the sky." I think these two sentences are quite enlightening.
It was clearly stated that it was the result of dubbing or the host did it himself, but I don't know how to explain it.
Nice!!! Very novel theme!!!
I like this theme very much, thank you to the author!