I Tore Up the Matchmaking Script, and the Villainess and Villain Got Their Happy Ending

It's not bad. It's my favorite 1V1. The relationship between the male and female protagonists is very sweet. If I want to say what's bad about it, it's that the original heroine can be ignored at all. But in every world, the heroine has to let the original heroine wait a few times before slapping her in the face. In fact, after being slapped in the face, the original heroine has no retribution. It's probably humiliating her once in front of others, which is equivalent to being ignored in vain... I don't know if the author thinks this is abuse, but I don't feel comfortable at all, and I feel like I'm being soundproofed. For example, in the first world, the heroine and the original heroine are not familiar with each other at all. The original heroine wants the heroine to prevent disaster, so she insists on pretending to be good friends in front of others. The heroine can obviously directly retaliate that she is not familiar with her, but she has to follow the words and use her tactics... Later, the original heroine introduces the match partner to the heroine, and the heroine can also reply on the spot or directly say that she is not familiar with her. After all, she is not familiar with her in the first place. Moreover, introducing an ordinary partner to a rich lady and saying that they are a good match is an insult to the heroine. When an unfamiliar person comes up and insults you like this, the heroine still listens to her in a good-tempered manner and then says that she is married. Then she drags out her excellent partner and then writes about the embarrassment of the original heroine. Is this considered revenge? Anyway, I just felt that I was being criticized. Maybe it was because the embarrassment of the original heroine was just mentioned briefly, so I didn't feel that much satisfaction. The ending of the original heroine was still good. She married the boss and became the wife of a wealthy family, which is the greatest retribution. Maybe in some worlds, because the heroine was not used as a stepping stone, the original male and female protagonists did not fall in love as much as in the original plot. Among the three worlds I watched, only the second world had the original male and female protagonists die, because after all, it was a rebellion, and the death was brushed off, which meant that it was not very satisfying, and there was still love before death. He responded harshly to the heroine, introduced his dog-licking lieutenant to the heroine who was already a queen, and belittled the heroine in words and deeds as if he had taken advantage of her. It was really a very, very special response to the heroine, while the original heroines in the other two worlds ended up being wealthy wives.

It's nice and sliced. The female protagonist is not a delicate and pitiful type, she's quite powerful. The male protagonist is the shape of a little white lotus raised by the female protagonist. Hahaha, it's quite interesting. The male protagonist is not a delicate little man either. Both of them are quite normal. The counter-balance is very relaxing. The pace is fast. The female protagonist's side is the main plot, and the original female protagonist does not take over the main role.

It's getting better. The original heroine's presence in the first few stories is too strong. Later in the story, the story line focuses more on the heroine herself. Slapping her in the face is just incidental. In the early stage, it was quite annoying that the heroine couldn't understand people's words. Was there a replacement later? Written in a mess

The female protagonist Mu Changle (the goddess who was kicked out to do the task) and the male protagonist Shen Yu (a little lotus raised by the female protagonist) are 1v1s that I love to watch. But I don't quite understand whether the male protagonist is sliced or whole and follows the female protagonist into the small world [what]. After all, in some small worlds, "Mu Changle" and "Shen Yu" are official companions. In other small worlds, "Mu Changle" and "Shen Yu" hug each other as soon as the male and female protagonists enter the world— It seems that the heroine has never taken the initiative to avenge the original heroine to avenge the original owner. Every time, she either stays away or lets the original heroine jump in front of her. And as other book reviews summarized, in the end, the original heroine jumps in front of her and disgusts her [star]. The key is that the task does not require the heroine to slap the heroine in the face and clean up the heroine at the end— There are many other messy contents in the small world. Many characters are as sick as if they are even sometimes the words and deeds of the male and female protagonists have a feeling that it is difficult to explain (●—●)

It's the first time I've seen this kind of writing. I meet the male protagonist on the way to torture him. I fall in love with him at first sight and they get together immediately. Then I finish the torture quickly. It's ten or thirty years later. Then I explain the follow-up in a few words and the next world begins. So each world has 2 to 10 chapters, so it's really fast. In some worlds, the male protagonist is important and the female protagonist mainly wants to save him. In some worlds, she does not appear. In some worlds, she only appears after she has tortured the scum and is a marginal character. In addition to waiting for plot points in the first few worlds, the heroine immediately abuses the scum as soon as she arrives in the world. The heroine is invincible and the evil love rivals are killed directly. No matter what their identity is, the original male and female protagonists are killed in the same way. It is particularly cool. The evil system is also directly eliminated. It is completely different from other novels where the original heroine cannot complete system tasks and consume system energy, and the system is destroyed after it unbinds itself. The identity of the heroine is also quite interesting, but many of the relatives, friends and subordinates of the hero and heroine have hidden plots about her identity. Once she regains her identity, she will immediately become noble. And she does not delay. As soon as the world knows the plot, she will immediately recognize her relatives and restore her identity. This book is completely the fastest and most enjoyable of all novels. The heroine is the most direct in her abuse of the scum, and there is basically no nonsense at all.

The plot is compact and the plot is smooth. They are all simple short stories that can really be read quickly. At the same time, the origin world of the male and female protagonists is love, and it is love at first sight when they enter the world, without any messy emotional lines. Sweet pet, double clean!

The pace is fast and the heroine is very powerful. It's just that the world in the back is a bit too fast. Although the world in the front is fast, at least the ending of the original heroine is explained clearly. The world in the back feels a little unclear.

Nice. 1V1 double clean, Meibao can be salty or sweet, the force value is also very high, there are no disgusting supporting characters, even if there is a lower limit, it is very fast. What I didn't expect was that the male protagonist was a white lotus. Hahahahahahaha

Pure cool writing! The heroine is extremely powerful! As soon as you enter the small world, you first find out various pseudo-male and female protagonists who have been reincarnated, traveled through time, or from the original world, and directly cut off their chances. I love to see the heroine twist off the other person's head without saying a word🤦 Never let the other party have any possibility of discovery, kill it directly at the beginning.

Not bad, 1v1 double clean, the heroine is dressed as a female counterpart in various stories, far away from the villain (the original male and female protagonist), and occasionally tortures the scum. The relationship between the male and female protagonists is very sweet