By the end of the Ming dynasty, the history of the entire world had already been quietly rewritten. And in Yangzhou in 1636, they broke free of the shackles that had bound them from the beginning.
What I have always wanted to write is “the possibility of the story of Ai Hong,” not simply changing one detail to make the tragedy disappear. The shadow cast by history remains, and the hardships imposed on everyone by their era have not vanished. They have merely returned in another guise to close in around them. I want to write about how, with this small change, they start from a different point and overcome the things that once crushed them.
Years later, when she closes that battered chronicle, a rain of iron blossoms in the sky, bursting backward. Lin Huier is sure to remember the ninth year of Chongzhen, the night he forced open the latch of the inn door.
It was late spring. Butterflies danced, a lone goose cried itself hoarse, yet no cry of sorrow was spoken again. At last, it flew beyond the moonlit night over the Four Bridges.
It turns out
Some are born within a book, blessed by all who read it.
Some are trapped within a book, condemned to face the judgment of the world.
Iron blossoms fly, drifting free without leaving ash.
[Lin Pianpian (Lin Huier)] [Su Lianyan (Su Lianyan)] [Ensemble cast] [Mutual salvation]
A very delicious Aihong 2 Creation. It's rare to see a protagonist with a prefect status. Sister Yan'er's setting is also very interesting. Come on. This book is not simple. Hidden in the background of Aihong is another huge world view constructed by the author himself. It feels like it is enough to write a book on its own, but reading it from the perspective of Aihong has a different flavor.
Very delicious[salute][salute]
Come on! Nice!!