On the day she became Lu Yan's substitute girlfriend, Su Nian only made one condition: no interference in her private time.
She didn't know that there was another woman from three years ago hiding in this apartment.
The white roses change every week, the Monet album is always open on the same page, and there is still a long dark brown hair in the closet drawer.
She didn't even know that someone in a room in Paris was watching her every move through the screen.
During the day, she wore the skirt left by Xia Wanqing, played the music that Xia Wanqing had played, and acted as an absent person in Lu Yan's occasionally dazed eyes.
Late at night, she opened her sketchbook and drew night scenes, street lights, and birds with closed eyes in cages.
Painting is her outlet, and it is also the only place Xia Wanqing cannot see.
Until one day, she sent a painting to the woman in Paris.
On the screen, a woman is sitting in front of a surveillance screen, and on the screen is another woman drawing.
The content in the picture is exactly the woman sitting in front of the surveillance screen.
Title: "Who's looking at whom?"
Xia Wanqing stared at the painting and felt a chill rising down her spine for the first time.
It took her three years to set up the situation, and for the first time, a variable appeared that she could not calculate.
The double is no longer an object to be viewed.
This time, she wanted to look back.
