[Soul dislocation+Gender change+Female dressing up as a man+Entertainment industry talent show+Refreshing article+Counterattack to become a god+Modern romance]
She is the center of the top girl group Octopus, with thousands of people screaming on the stage and cardiac arrest off the stage.
When she opened her eyes again - she became a 21-year-old male trainee.
He has no background, no resources, no connections, and he carries the bombshell of being an illegitimate son of a wealthy family.
But she has ten years of stage experience, a dance instinct ingrained in her bones, and a heart that will never admit defeat.
On the draft stage, everyone was asking: Who is this newcomer who emerged out of nowhere?
The mentor from her previous life recognized her habitual movements, the international master saw through her body memory, and the talented musician touched the outline of her soul with a song.
And deep in her heart - the soul of the original owner was awakening.
Two souls, one body.
Is it coexistence, or does someone have to disappear?
"No matter who I am - I will set the stage."
Reader comments
The time after the identity change is still too short. There is no time to adjust. There are always flaws. The typhoon is too deep and entrenched. There are always shadows.
Every point is relatively superficial, such as characterization and evaluation. It feels very focused.
There are too many descriptions of actions (everyone) and too many descriptions by passers-by
Highly repetitive. What has been said has been shortened again.
Too many people are staring and trying to figure out whether the protagonist is Zhang or not, and is nailed into the frame.
It feels like everyone can see through her
Some places feel fancy (but actually have no effect)
He's really just a dancer
It's okay, the heroine's persistent character [Bird Food]
The time after the identity change is still too short. There is no time to adjust. There are always flaws. The typhoon is too deep and entrenched. There are always shadows. Every point is relatively superficial, such as characterization and evaluation. It feels very focused. There are too many descriptions of actions (everyone) and too many descriptions by passers-by Highly repetitive. What has been said has been shortened again. Too many people are staring and trying to figure out whether the protagonist is Zhang or not, and is nailed into the frame. It feels like everyone can see through her Some places feel fancy (but actually have no effect) He's really just a dancer
It's okay, the heroine's persistent character [Bird Food]