The Sky Screen Appears, and I Become Queen of Qin

This book has a reading threshold. Let's talk about the positioning of the heroine first. She is a modern time traveler, and in modern times, she is a person who is dedicated to serving the country. She has the people of the world in her heart, popularizing education, medical promotion, improving agriculture, protecting veterans, etc. She is doing all these things for the sake of the country and the people. But she's not the kind of heroine who kills decisively - she can't kill, and she can't even accept "Boren died because of me", and there is always a soft spot in her heart. Many readers may think she is too holy, but I think this is exactly the truth. It is normal for a person who grew up in modern society to have a sense of reverence for life. You don't have to be able to use your hands to kill someone to be called a heroine. But the key turning point came after Ying Zheng died - her backer fell, and she went "crazy", killing and ruthless. But the most shocking thing is that every time she kills someone or implements a government decree, she will run to Ying Zheng's grave and cry. This connects the contrast between before and after: she is still her, but without the person who supports her, she has to become "him" herself. Let's talk about her attitude towards Ying Zheng. This heroine is obviously a fan of Ying Zheng, and she is the kind of "love brain" who is very indulgent and partial to Ying Zheng. This means that if you are critical of Qin Shihuang or want to see a dialectical perspective, you will most likely not be able to read this book. Because she writes about Ying Zheng from the perspective of a fan only, not an objective evaluation, but love with a deep filter. Then let's talk about the question of "torture or not". Some readers think that hitting a woman's palm two or three times is very abusive, but I think it depends on the context. In the strictly regulated environment of the ancient palace, there was no punishment, no kneeling, no banishment, just a few slaps on the palm. This was nothing in the real historical context. Even if you put it in a modern context, it's nothing. If you put it in elementary school or junior high school, you should have had the experience of being slapped on the palm by the teacher, right? (Of course, I don't know what primary school education is like now, because parents can just report or report problems. No, the original attitude of teachers taking whatever they say is what they say, and there may be very few slaps in the face). If you use the modern standard of equality between men and women to measure the behavior of ancient emperors towards their concubines/ministers, it is inherently misplaced. There is another point of controversy among readers. Ying Zheng is never a love-minded male protagonist in this book. He is very clearly aware of the heroine's love and adoration for him, so he uses methods such as "teaching" and "paving the way for the future" to control her benevolence and loyalty, firmly control her, and eliminate the hidden danger of betrayal - this is the instinct of an emperor and cannot be called "scum". The book also uses other characters (Qin Xiaogong) to make it clear: the so-called preference is just a special case obtained by using higher value. There is no warmth in troubled times, only "available" and "unavailable". So if you are looking forward to a purely affectionate love line that does not distinguish between you and me, then there is a high probability that you will feel "abuse" or "not loving enough". To sum up: this is not a book for everyone. I want to see the unsuitability of a decisive and murderous heroine, I want to see the unsuitability of Qin Shihuang in a dialectical way, and I want to see the unsuitability of Qin Shihuang's love brain. But if you can accept a heroine who cares about the people but does not kill, has a deep fan filter for Ying Zheng, and has an understanding of the hierarchical rules of the ancient palace, and does not regard "beating the palm" as domestic violence, and can understand that the nature of an emperor is to love and calculate, then this book has its own highlights. Give it four stars. It has a clear positioning and is not pretentious, but it does have an audience threshold.

The capitalization is really good. I still want Zhengge and my sister to be a couple for the rest of their lives, but the capitalization is very good. Zhengge prefers my sister. It's very sweet and I feel sorry for my sister to share Zhengge with others. 🥺 🥺 🥺

It's good-looking, I love watching it. The heroine is simply perfect. She has a pure heart for the country and the people. She has always firmly practiced the concept of studying for the rise of China. Even in ancient times, she is still determined to bow her head and do all kinds of things for the people. The heroine is so perfect! Love it!

I hesitantly clicked four stars. The author has worked hard to code the words. Let me first say that I read about 17 chapters (I originally added it to the bookshelf and started reading it today, and I quit and came in several times). I was a little bit frustrated when I read it (maybe because I have high requirements). From the beginning of the movie, it said that the heroine saw something on the way from South Korea to Qin. The subtext is that the heroine will do something for the people... But after arriving in Xianyang, I couldn't hold it back. Qu, in the sky screen, I only saw Ying Zheng's mindless boasting about the love between the male and female protagonists (I'm sorry, I can't feel it), the sky screen came to Ying Zheng to ask the heroine to join the court, but she was unwilling (what she promised to do for the common people who were hungry)... And the sky curtain kept calling her sister. I understand that it is to show the love of future generations for the heroine, but can you give her a little respect for her identity? Also, if the heroine has the ability to be an empress, why should she take advantage of Fusu and others? Isn't this a female channel? I will only tell you what I have seen so far - the female protagonist: a coward; the male protagonist: an ancient version of a greasy uncle. I would like to add that there is a comment in Tianmu that I think is right: Ying Zheng's love for the heroine is a fantasy of the heroine.

It's well written. I've read another Da Qin novel, but I haven't been able to find a meal replacement. I stumbled upon this one and have been catching up on it. Dear author, do you know that I like to watch sweet things as soon as I get older? Oh~ Also, I have a sister who has always had a wish, just to watch the follow-up! Author, I will always follow you, you are YYDS! Can you continue to watch the movie later? Watch the movie Han Wei saves the Qin State, and then goes to accompany Brother Zheng after the rescue. Haha. People who like watching Later Generations describe Han Wei as loving Brother Zheng. "With you gone, even the sunny weather feels like a rainy day to me."

Calling the heroine sister, there is a feeling that her status is not very noble, and the biggest role of the heroine may be what she did to turn the tide after the death of Qin Shihuang. I think the author can directly write this as a flashback at the beginning. (I'm just talking nonsense and don't mean any writing guidance)

It looks good, and some people have mentioned some flaws in the comment section, but I think those can be regarded as insufficient power and bad luck, and can be ignored if you can continue reading the article. There is one thing, and this is probably a common problem with many historical derivatives. That is, in the later period of the article, the heroine clearly forced children to study, which means that compulsory education should have been determined by law, and there is also a system of separation of military and political affairs. In this case, future dynasties will still encounter crises. It is actually impossible to follow the original historical trend, and it is even more impossible to tamper with the history of the heroine's period. Unless there is a devastating blow and a civilizational fault, I cannot imagine the situation where historical faults are misinterpreted when modern books are flying all over the sky. At most, there will be a group of malicious misinterpretations of history, but it should be impossible to systematically tamper with history, and it is still tampering by the imperial court, even with the Qing Dynasty. Moreover, the changes brought about by the heroine can be logically deduced that the country should not have the same frustrations as before. Even if it is possible, it will be a different kind. Because the Qin Dynasty continued, became very powerful, and developed people's wisdom, many things were no longer controllable. In fact, it is more logical to shorten the time of the feudal system. Otherwise, it would feel like the heroine's efforts were in vain. But now it is still based on the true history of more than two thousand years, but the Qin Dynasty was more glorious for a few hundred years. Overall, it's good to read, because I feel relaxed when reading it. As long as I feel happy and relaxed while reading the article, the novel is a fictional story after all. I like this story and it accompanied me through a relaxing time. That's it. Come on, author, I look forward to your follow-up content.

I feel like I can emphasize the historical status of the heroine again. For example, in Sima Qian's "Historical Records" at that time, the heroine was located in this chronicle. Also, it was mentioned earlier that Brother Zheng left a way out for the heroine before his death. What is this fallback route? Is it military power, secret guards or the courtesy of the Queen Mother after his death. These can also be used as a factor in her ability to govern later.

How can you sleep?! Get up and update soon! (Holding a small leather whip to urge the update) 😍😍😍The writing is super good, Zheng Ge in it is not OOC at all, the writing is smooth, I cried many times while reading it

On the nuclear power of the First Emperor's Dream Girl 😂