Sorrowful Cranes: Tianyou's Graceful Dance

Hello everyone, this is the author's own reader account. Thank you all for your support of this book. Since this is my first time writing a second novel, my writing skills and experience are not sufficient, so please forgive me for any shortcomings in my writing. I believe that a good work must fully consider readers' feelings and suggestions before it can have a future. If readers have any discussions or comments about this work, including adaptations of existing plots, suggestions for subsequent plots, or corrections for shortcomings, you can post them under this comment. I will reply as soon as I see it and will never turn a blind eye. This work was originally written because of a strong desire in my heart. Naturally, I had to consider the ideas of more original players and gather the opinions of hundreds of schools of thought before it could be completed. I extremely hope that this work can be used to construct a perfect timeline of You Pian, so that I no longer have to cry because of the tragic ending of the original work. I also hope that readers can feel some comfort from this. Since I am currently studying, the update time may not be fixed, but it is basically released daily in the evening. I also hope that everyone can discuss, revise and encourage this book together.

I have read three fanfics in the past few days. This one is the best 👍👍👍 written by the author. It is also the most consistent with the characters of the characters in the original novel (except for Fang CS). Unlike other fanfics, the characters' personalities or souls have changed, and they are strangers with the same name. Moreover, the author's characterization of details is also bad, and there is nothing to say. The other two books, there are always some weird things when I read them. The logic and characters are not in line with the original works, and there is no soul 😘. The rewriting of the male protagonist Fang Zhiyou and Fang CS is just right, and there is no big sense of violation.

Among the fanfics I have seen, they are definitely in the first echelon of rankings. The first one does not use industrial saccharin, the second one is Die Yan, both of them have reasonable plots, rather than deliberately writing about only one person, and the third three Easter eggs are small and well thought out (such as "death") The subsequent exchange of identities between Yandie and Ji Ling's small ingenuity). Fourth, respecting the plot of the original work. This is also the most important. It gave me the urge to regard this article as the real original work. At the same time, I respected the characters and did not have any abrupt characters. In some of the second novels, Fang Zhiyou suddenly changed from a rotten scholar who had no benevolence, justice, propriety, wisdom and trust to a good person. This is a point that I think is very unsmooth. In this book, Fang Zhiyou did not change by relying on the author's words, but grew up step by step in the designed plot and the guidance of Sister Yan'er. The plot of returning to his hometown before the plot of Ten Days in Yangzhou, I personally think is the best design.

The writing style is better than Ji 0. After reading Chapter 17, I feel that this novel can definitely become the plot of the remake of "Aihong". Whether it is the comparison between Lian Yanpianpian, the motivation for the creation of Lion and Camel Kingdom, or the discussion of the cannibalistic society, everything is handled better than Ji Ling, and the look is not disgusting. Chapter 17 The two heroines looking at each other across the bridge are amazing. Ji 0 should really learn from the author about his writing skills, especially what true contrast is. Comparison is not simply about criticizing and praising others. The plot of Aihong cannot be saved because it is not a remake. It is useless to create an if line. We can only tear down the plot and settings and rewrite it.

Great, great! I'll comment after 45 minutes of reading. You've done a great job! OK! Fang's intelligence and courage have been strengthened at an epic level, he redeemed Lin Pianpian, and was ready to take Su Lianyan away with him, but unfortunately he has ALS, otherwise he would be the HP in HP. The writing is also very delicate, you did a good job! OK! A hundred faints! Give it a burst!😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 And then come back The interaction with Lin Pianpian was also very sweet. My discomfort after playing Aihong was soothed a lot. It was great!——

Let's have a little story about Ji Ling The girl j0 liked when he was a child was bought home by his uncle as a concubine After j0's uncle died, the girl he liked was sold to a brothel. After j0 learned that the girl was the number one in the brothel, he determined to become a master of the brothel. J0After eloping with the girl he liked, the girl threw herself into the riverj When j0 was a child, Lao Feng was killed. J0 chose to forgive the enemy who killed his father and promised him his life. J0's girlfriend automatically refreshes her status at 0 o'clock every day j0 star chaser hanser, his three years of consumption were all supported by his girlfriend selling herself j0 was resented by his girlfriend, who cheated on him at point b. In the end, camp t won.

After reading a lot of fanfics, this one has the best plot. Especially the later use of multiple perspectives to describe the tragic situation of the victims in Yangzhou, which immediately filled the air with a sense of displacement and devastation in the troubled times. It is not told from the perspective of a single protagonist, but through the eyes of different people to see the dilapidation and sadness after the city was destroyed. It instantly adds a sense of depth and immersion, which is much more tense than a straightforward narrative.

This book is one of the few fans that truly rewrites the cause and effect from the root of the fate of the original work, allowing the characters to move step by step to a place worthy of happiness. If there is a remake of "Aihong" one day, or a large-scale parallel route DLC, I personally feel that the plot of this book should be its blueprint. Even if Zero Creation officials may not be able to make such a concession, they very much hope that one day this book can be made into the best fan game of "Aihong". The prison formula in this book has been beautifully reconstructed by the author. There are several very clear stages in his growth: first, he is a scholar who is addicted to old dreams and is slow and conceited; then he is an awakened person who realizes his mistakes but still has inertia and hesitation; then he is an activist who begins to take the initiative to make amends for the past; then he is a husband who incorporates Lin into his name and family and truly bears the relationship; and finally he is a responsible person who can take care of his family and others in troubled times, and connect his personal emotions to the greater cause and effect. His love is no longer limited to the very personal self-emotional satisfaction in the original work, but a heavy thing that is embodied with status, responsibility, reality and the memory of the deceased. At the end, the author carefully set up the reconstructed Ten Days in Yangzhou as a quality assessment of the characters in this version of Lao Fang, and the final answer is undoubtedly excellent. This is the only version of the prison plan I have seen that made me really not want him to die when he was in a critical situation. In a sense, it can be regarded as completely washing away the sense of failure and frivolity attached to his personality in the original work. And the treatment of Pian Pian in this article is also rare. Her essence is no longer limited to physical and mental redemption, but that she always maintains sobriety and propriety. In fact, she is not a completely passive person in the original work - she observes what is happening, follows the trend, and knows how to advance and retreat. "Tianyou" magnified this point and showed us the side of Pianpian that could have unfolded in front of us: she can judge the situation, know when to follow the prison direction, and when to hold back, not to force or to ask; she also knows very well what she can do in her position, and slowly she will not lose her mind because of love, and she will slowly no longer belittle herself for her past identity. Her ability to run a business is by no means achieved overnight, but is an extension of her original meticulousness, patience and sensitivity to the world. More importantly, when faced with change, she does not passively accept it, but makes a new choice: she can continue to stay on the track of the past, but she can also decide to step out and bear the consequences of this choice. Her gentleness is not weakness, and her obedience is not a loss of self, but a kind of self-control with boundaries. She is no longer the frail image sentenced by fate in the original work, but a person who can stabilize herself and others in troubled times, with judgment, responsibility, and a position. The plot design of this book is the best of its best. The journey to the north to worship ancestors, hair knotting, loess sachets, eight-carrying sedan chairs, wedding banquets, porridge soup, Hangzhou fleet, Yangzhou Ten Days, and hanging lanterns on the river. These bridge sections are beautiful when taken alone, but what is really powerful is the interconnection between them. Each section answers the previous question, and each sugar call does not come out of thin air, but is the echo received after the two people take action, and it is also like the footprints that fall step by step on the road that the two of them walk together. Especially the section about going north to worship ancestors is really the highlight of the book. The significance of this segment goes far beyond sugaring in the ordinary sense. It was when Fang Zhiyou truly brought Lin Pianpian back to her roots, making her no longer just a woman who was redeemed, hidden, and pitied, but an upright member of the Fang family. At this moment, Fang has completely transformed from the sour scholar image in the original work into a man with the ability to act. Especially considering that this is the first time that Fang has made an active decision that may not be cost-effective intellectually, but is emotionally logical, this is even more rare. The extended application of the original sachet image is even more amazing. It has the additional function of serving as a reassurance pill for Fang, and the emotions contained in it expand step by step along with the key plots. In front of the grave, the original white orchids were replaced with loess, which increased the weight of the image; supplemented by the design of covering the knotted hair with grave earth, the ritual and sacredness of the entire bridge even surpassed the weight of a normal marriage itself. The use of Ryoho in this article is also very clever. Liang and Mansui are not simply foreign aid who come to the rescue, but another group of people who have experienced life and death and have real-life abilities. In addition to providing a refuge for Fang Lin, they are more like an established "living legal sample" to prevent Fang Lin from hanging in the air. Fang Zhiyou and Lin Pianpian did not suddenly learn how to live, but saw another way of living that had been proven feasible, and then approached it little by little. The ten-day part of Yangzhou is particularly worth mentioning. This paragraph does not describe the disaster as a simple bloody spectacle, nor does it allow the protagonist to change history with his blood. It allows people to see the powerlessness of individuals in the face of the great wheel of history, and also allows people to see what people can still do despite their powerlessness. Fang Zhiyou couldn't save the entire Yangzhou, but he had to save the people in front of him; he couldn't overthrow the era, but he couldn't escape anymore; he couldn't resurrect all the dead, but at least he had to keep moving forward with the lamp of the living. The weight of "you can't save the world, but you still have to save the people in front of you" gives this book a layer of desolate but real sadness. As for the ending of True Liaozhai and True Red Mansion, I personally like it very much. It does not simply use the two images of the original work to realize the dream, but rewrites the unsatisfactory things in the original work: Liaozhai is no longer just the ghostly obsession that cannot be escaped, and Red Mansions is no longer just decline and miss. The dead have their place and the living have the rest of their lives. Writing is no longer just an escape, but becomes testimony and inheritance. This kind of binding is not only beautiful, but also extremely ambitious. Of course, "Tianyou" is not without flaws. There are too many explanatory texts in some places, and in some paragraphs, it can be seen that the author wants to pour out his heart in one breath. But this is what makes it moving: not only the gorgeous words, but also the author's heavy love for the characters. And these love eventually turned into bricks paving the way, opening up another possible way of life. Perhaps because of this, I personally take "Tianyou" very seriously. It is difficult to become the most popular fanfic, and it has no intention of winning purely on sugar. But it does make me feel that Fang Lin's line can be written to this level, Lin Pianpian can be taken back to the world so solemnly, and Fang Zhiyou can also change from the failed person in the original work to a person who can take on the rest of his life through real actions. To me, it's more than just "looking good." I would also like to make this comment and thank the author for helping us recover the official history of "Aihong" that should have led to the human world from the regrets and dislocations written by Ji Lingshan.

The content of this book is very consistent with the original work. Compared with the original work, it has more care and respect for Lin Pianpian, but the most exciting thing is that the images of Fang Zhiyou and Su Lianyan are also established. There are actually many second creations that give Lin Pianpian a good ending, but few can write the story of Fang and Su well. This book is able to portray the images of the three people in a three-dimensional and vivid way, which is truly a masterpiece👍

Well written, this is the normal protagonist Lao Fang who was taken over by the will of the author and the readers. The way Lao Fang treats Pian Pian in the original novel is not like a normal person, and it is impossible for Lao Fang to leave Sister Yan'er alone, so the author's writing method is very interesting. There is no doubt that this book ranks at the top level among the Aihong fanfics I have read so far (there is currently no second book of this level)