Funeral*************

The end of the world is full of love and hate, and the Shura Field stabs the heart hard This post-apocalyptic supernatural novel is really getting more and more exciting the more I read it! Doomsday zombies, organizational conspiracies, and supernatural games are intertwined. The plot rhythm is tight and not procrastinating, and the world view setting is complete and interesting. The most amazing thing is the sense of tension between the characters. Yu Weiwei is sober and contradictory, trapped between her old love Lin Ke and her paranoid guardian Jiang Zhiyu. Her emotional portrayal is delicate and true. Jiang Zhiyu's darkening and decadence, and his madness in love are extremely fragmented. The ambiguous and tumultuous atmosphere of Three Days on an Island in the sequel is full of atmosphere, and the writing of the tolerant and paranoid love is extremely poignant. The tension in the Shura scene between the two male protagonists is overwhelming. The crisis of family and country and the entanglement of love are parallel. It has both the cruelty and harshness of survival in the apocalypse and the broken love and entanglement of love and hate. The writing is advanced, the characters are three-dimensional, the plot is constantly reversing, and the more you follow it, the more addictive it becomes.

A post-apocalyptic power, the housewife awakens to counterattack, the rhythm and excitement are just right, and the characters are vivid

The content is very exciting, the writing style is very delicate, and the story rhythm is very compact.

Taking the awakening and counterattack of the literary housewife Yu Weiwei as the main line, the system flow is combined with apocalyptic survival, the writer's skills ignite the apocalypse, the rhythm is compact and refreshing, the group portraits are vivid and the Virgin is not included, and it is full of attractions.