Showbiz + Single Heroine + Daily Life + Behind the Scenes
Lin Feng transmigrated.
He had absolutely nothing to his name, not even an identity, and could only huddle shivering on a park bench. Then the hugely popular young songstress Yun Qianyue took him home.
Lin Feng thought he'd stumbled into an incredible stroke of luck.
Yun Qianyue said, “Starting today, you're my ***”
Lin Feng: “???”
Yun Qianyue: “Don't you want proof of identity?”
Lin Feng: “...”
To get his identity, Lin Feng put up with it.
After putting up with it for years, he finally slammed his hand on the table. “A man is born between heaven and earth. How can I spend my life forever beneath someone else?”
Yun Qianyue lounged on the sofa, leisurely peeled a grape, and looked up at him.
“Then you can be on top.”
Lin Feng froze.
Somehow, this script didn't seem quite right.
Synopsis 2
The moment Lin Feng opened his eyes, he found himself in a strange world.
No identity, no money, nowhere to live, and he nearly starved to death.
Just as he thought he was about to become the most miserable transmigrator in history, a woman appeared. She was a once hugely popular young songstress, and she took him home.
“You can live here from now on.”
Lin Feng thought he'd hit the jackpot: free food and lodging, with someone to take care of him. That was until Yun Qianyue pulled out a stack of manuscript paper and looked at him with shining eyes. “Write me some songs!”
Only then did he realize he hadn't been taken in out of kindness. He'd been brought home to be squeezed for all he was worth.
But it wasn't clear who would end up taking advantage of whom.
His first song had the whole internet asking, “Who is that man?”
His second song made the Alliance rewrite its laws overnight.
His third song sent the young songstress back to the top.
The male protagonist is a bit calculating. I thought he was a simple child when I first saw him break down. But his subsequent actions still exposed his cunningness. From writing a duet and singing for the female protagonist to meeting the father-in-law and mother-in-law, from giving advice to the director (?) To the supporting role of Wang, if the character of the male protagonist is applied to a girl, it seems that she can be called a female imp? It's a bit different. I'm always playful and smiling on weekdays. The female protagonist is pretty good so far. In terms of character design, she is quite classic. She looks cold and unkind but always indulges the male protagonist. She has great insight, good employee treatment and so on... The emotional pace is quite fast. Chapter 6 of the male and female protagonists has a little ambiguity in physical contact, Chapter 17 holds hands, Chapters 19 and 20 meet the female protagonist's parents, Chapter 27... The pace of my career is pretty well controlled, neither too slow nor too fast. Now it is clear that the main line is to fall in love with the heroine and develop the heroine's company. Now I have started to recruit some people. Summary: This is a classic Wenzhao Gong novel that starts with songs but does not end with songs. It looks like it will develop into novels, TV series and movies. To the author: This book has no problem with the general direction (at least for me). It should have an outline, but some small details need to be more rigorous. I have also provided feedback in the comments about the specific details. In addition, the author should pay attention to his health, so that he can update twice a day stably (it is not impossible to update three times a day😏Of course, under the premise of good health)
Is this... Love brain??? Or missing the brainstem???
It's really unbelievable that I don't have the copyright.
This plot is really abstract. The main character is a gangster, and then the heroine takes it home and writes a few songs and starts to get close to each other. It's hard to imagine that two strangers lived together for 3 or 4 days and got close to each other, and then the law was changed because of a song. Can you write something normal? There are quite a few of this type, and the plot can be set more normally.
Why do all time travelers written about them have to be written as omnipotent?
I felt pretty good, it was a bit like a sweet novel. I felt pretty good about the part about repairing the broken bridge. Sometimes the plot is a bit childish, but if you watch it with the same mood, it has a unique flavor. Personally, I don't think it's a big poison.
Chapter 44 is extremely poisonous. A pure holy scripture. An unknown 18th-line singer was fired from the original company after slandering the heroine. After the singer went to the heroine's company to apologize, the heroine signed her up. The hero also took the initiative to help her write songs. Six hundred and sixty-six magical operations.
It was watchable purely behind the scenes, but it was too watery, with micro-group portraits and too many supporting roles. When I saw Zhao Sisi's apology, it was too watery. I explained the background before and then again when she apologized. I ran away first. I can't stand this kind of group portrait.
The writing is average. Although the opening of the black household is unique, it also makes the protagonist relatively weak when communicating with the heroine. Confirm the relationship as soon as possible later, and don't use the underworld to cause trouble. The song writing and daily life with the heroine should be about 7.5 Points.
Really outrageous. After the male protagonist has an identity, it is the female protagonist who writes lyrics and composes music. Then he went on a show and asked if anyone liked him and said no. The meaning was completely unclear and made the male lead look like a clown and a licking dog. The whole character of the male protagonist also feels very awkward, like a naughty child