Hong Kong Supernatural Tales: The Great Evil-Slaying Hand Seal from the Start

The writing is very good, you can become best friends with people who look down on you and want to kill you, and in the end, you can make them rich, have a house, have savings, and have skills. Pigfoot is a broad-minded person. Come on. Anyone who hurt me, I will take him to the top

Not bad, not bad. The male protagonist is determined to become stronger. He doesn't have the vulgar plot of being a diaosi who suddenly becomes stronger and thinks he is great. He has been working hard to become stronger. There is no female protagonist at the moment. Follow up at any time. If there is a female protagonist, he will protect everyone in time.

It's good-looking, with no bells and whistles, and no plot involving women, just a normal "cultivating immortals and fighting monsters"~(¯▽¯~). Good-looking Hong Kong comprehensive articles are so hard to find. Author, please persevere💪💪. I've stopped writing all the good-looking ones 😢😢

Take in a female ghost who has done harm to others, deduct one star Chapter 88 and Chapter 129, for the sake of the original family and friends, the golden lottery that greatly enhances the male protagonist's strength is deliberately turned into a pill that allows people to practice Taoism and increase life span. Does the author want them to live forever? They are just the original family and friends, and he only needs to keep them rich and prosperous throughout their lives 🤦

The content is good, there are few reminders, and there are not many people. Do you want to consider changing the cover and introduction? I didn't want to read the cover and introduction at first, so I clicked in and exited. Reading the introduction felt bad and old-fashioned. The backend is a bit confusing. I suggest that the protagonist be highlighted more and the supporting characters be downplayed. After all, I have seen the movie and know what those people are like. If you want to write a few supporting characters, I suggest you think about a few. After all, people who do not appear in the movie do not mean that there are no other people in the movie. I recommend doing the main line. After all, the TV series is long enough and it is almost the same era. The movie should be the side line. If you have the skills for emotional scenes, I suggest having a female protagonist to serve as a lubricant and transition for the plot. If you don't have the skills, forget it, fearing that the writing will be too stiff. Or occasionally play a few jokes and create a few famous scenes to lubricate it. It's too boring to keep upgrading monsters, and there are too many monsters and upgrades, which makes you tired.

The dialogue descriptions and facial expressions were relatively stiff at the beginning, but the later descriptions showed some growth and the facial expressions were relatively more numerous. Authors of the category "Hong Kong Gui" can try to add more words that express tone and emotion. The scene descriptions and action descriptions are very good. Come on author. 😄😄

This is my favorite Hong Kong fantasy novel that I have ever seen. The author's writing is very good, and the storyline is novel. It does not blindly follow the plot, but it is not inconsistent with the plot at all. The logic is also rigorous. Unlike some stories that are completely irrelevant to the original story, I doubt that the author has watched the drama. Others are just pure and refreshing writing without any logic. Another thing that I like very much is that there is not much ambiguity between the protagonist and the female protagonist. If you pursue Taoism, you should pursue Taoism. If you have an ambiguous relationship or have multiple female protagonists, it feels very unseemly. It is not about picking up yin and replenishing yang.

For someone like me who likes to read cool articles, this is a very good read.

Among the many Hong Kong tricksters, he is pretty good, but his pretentiousness is a bit lackluster.

A very good ghost catching master novel I like the character very much