In the year 2000 of the interstellar era, culture is a weapon.
Rome has its temples, Greece has Olympus, and Egypt has its pyramids. Only Huaxia has been erased.
Those who awaken Huaxia culture are called “rootless trees,” and are trampled at will in military academies.
Without dungeons, they cannot level up and are doomed to become useless.
That is, until Ruan Xinghui arrives from Earth.
On a garbage planet, facing her bullies, she smiles and recites her first verse:
“With ten paces, I slay a man; a thousand miles, and not a trace remains.”
The golden words turn into sword energy, and an ancient dungeon descends with a thunderous roar.
At last, the entire Alliance learns that the forgotten name conceals five thousand years of sharpness.
Afterward:
She makes “The time will come to ride the wind and cleave the waves” the mightiest charge in the interstellar world.
She traps armies by the thousands in “A Thousand Miles of Rivers and Mountains.”
She blankets the entire battlefield in the moonlight of “A Moonlit Night on the Spring River.”
The Fusang Expeditionary Force heads east with the rising sun, ever onward toward the light.
An artist abandoned by his family, a wealthy young man who signs up in secret, and an orphan from a garbage planet:
This band of “good-for-nothings” uses poetry, painting, music, and strategy to carve a bloody path through a galaxy of mechs and supernatural powers.
When Ruan Xinghui stands before the Interstellar Council and makes the gods bow their heads with “Snow: To the Tune of Qin Yuan Chun,” she declares:
“I’m not here to join you. I’m here to show you, ”
“what civilization really means.”
Interstellar culture is broken, and Chinese civilization has become a taboo. The heroine uses poetry as a sword, kills one person in ten steps, restarts the ancient copy, and burns up the wasteland! The setting is novel, the writing is cool, and it has potential as a dark horse!
I like it very much, especially interstellar literature.