In the troubled times of the Republic of China, the drama was loud and the ghosts and gods listened.
Every classic play is a life and death situation.
In "Suolin Bag", a newly married young lady who died locked up her resentment in a red cloth bag and sang an unfinished play every night, and everyone who stepped into it became a puppet in the play; in "Dingjun Mountain", the tampered lyrics of the loyal soul drama attracted the souls of the dead on the battlefield, and the warlord camp became a slaughterhouse for the underworld soldiers;
In "The Peony Pavilion", a century-old love spirit is trapped in a deserted garden, and all those who enter the play are engulfed by love and trapped in the illusion of the play forever;
The remnants of the Wujiang River in "Farewell My Concubine" and the flooded underworld in "The Legend of White Snake". Every drama and strange incident are all disasters of life and death in troubled times.
Su Jing, the mute servant of Jinmen Qinghe's class, is the only one awake in these countless scenes. He does not sing operas to entertain people, nor dreams of becoming a god. He only uses his operatic voice to ward off grudges, break up evil situations, clear away grievances, and guard the world. The stage is about to begin, and this human drama has just begun.
