Reborn as the Adorable Elf King Despite Being a Hero

It's good-looking, and the protagonist is well-cast. I've only seen 10 of them so far. I encountered a very uncomfortable point. Just ignore the protagonist's wishes and forcefully stick to the female mercenary. This situation is actually particularly common in early transformation novels, or novels about children who travel through time. But for me personally, this is a very uncomfortable point. It's uncomfortable to do something against the protagonist's wishes. The protagonist's physical boundaries are violated. I have to take a moment before continuing to read. Anyway, in my opinion, having such close contact regardless of the protagonist's subjective wishes, especially if it is a stranger meeting for the first time, is a serious offense to the protagonist. The character of this female mercenary is also extremely unexpected. He is a mercenary. I have been struggling in society for an unknown amount of time. How could I behave so intimately with strangers? Very inconsistent. Then he had just been injured and had just fought with wolves. The smell of herbs was true, but where did the fragrance on his body come from? The smell of blood is pretty much the same. Just like Sophia, he is the same age as the protagonist and is a child. It's not obtrusive to do something so intimate, because that's how children interact with each other. But you, a female mercenary, I forgot your name, you are already an adult, and it is wrong no matter how you think about it. It's not like something a serious adult would do.

The world view is relatively standard for Western fantasy, and there should be no private settings. The character creation is top-notch and everyone has memorable moments. The little lolita who appears to be a bitch but actually lets herself go, the arrogant little lolita who is willful but not unruly, the little lolita who is well-behaved and sensible and makes people feel distressed, and all kinds of lolita controllers (this world will come to an end, right? The storyline feels like a weak point. It feels a little step-by-step and lacks ups and downs, which means it's not interesting enough. It may also be that the writing is too detailed and the text information is diluted greatly. The result is that the Roland City volume reaches the point where it should explode and the emotions cannot be mobilized. Instead, this feeling is finally over. Overall, this is a book with great potential. It can be seen that it has a relatively far-reaching idea, and the author is quite enthusiastic. In the past seven days, it has been worth 10,000 yuan a day, so I still look forward to it with five stars.

It's worth reading. The writing style is not bad. From the mysterious black robe, it can be seen that the author is good at writing stories. It can give people the position of masters, as long as it doesn't turn into a chronicle of transforming into a dragon lady and then a god 👍

The logic is strict, there are many foreshadowings and regular recycling, and there is no sign of a new author at all. The character creation is actually more of a group portrait, and each character has a distinct personality. It is basically okay except for a few gods and figures that affect the perception. However, as a refreshing article, it is not enough to be interesting and enjoyable, but more like an everyday article. In fact, the cool article label can be completely removed, so that no one will read it with a filter and be persuaded to leave. Also, I really like the Emerald Warrior, and I hope there will be a good ending [laughing] It has taken off completely since the second volume. Whether it is the healing and heartwarming daily life or the heavy and passionate main plot, they are all very well drawn. In fact, I think this book could have been rated 9.4 Or even 9.5. The main reason for the low score is that the author was too diligent in updating and was not pushed. But there is an obvious shortcoming, that is, every volume after the first volume has one or more gods that affect the perception. And currently, these gods are neither pure villains nor have anything to do with the main plot. They only serve to show the diversity of species. I can understand that the author may want to satirize reality, or use these people to improve the mood of the protagonist group, but there is really no need to give these people so many roles, right? To put it a step further, even if these people are used as foreshadowing to clear up or explode in the subsequent plot, this arrangement is unreasonable. After all, the quality of the plot is one thing, and the perception is another. It is true that these people can make the book appear more real, and the logic of the subsequent changes in the mood of these gods is also reasonable, but the nausea caused by the gods is really inconsistent with the overall relaxed and healing style of the book. Take Yara, for example. I can see that her existence is to highlight the self-reliance and selfishness of the nobles, and thus lead to the subsequent main line of Amy changing human ideas. However, it is really disgusting for readers to arrange such a role for the protagonist as a roommate. In addition, Dora in the third volume is also inexplicable. It does not promote the ideological change of the main supporting characters and has nothing to do with the main plot. Her only function is to reflect Amy's tolerance (but there is no need to use this role to express Amy's image alone). It can be seen that the author wanted to write about the lives and emotions of small people, so he arranged a plot for Dora that was barely whitewashing. However, this really did not change the readers' view of her. Instead, it made her disgust the readers for several chapters. Of course, don't look at me spending so many words talking about shortcomings, but it is nothing more than one point, and in fact this book basically has this shortcoming. Mainly in high school, I have been writing argumentative essays recently, and I have written so many without realizing it. This book is definitely worth reading. I also hope that the author can pay attention to his health and make persistent efforts.

This book is definitely worthy of this score. I'm tired of reading those cute protagonists who only act cute and the cute plots that are as useless as boiled water. I should use it to write this kind of just right secondary school with legendary and epic scenes, instead of treating it as a simple standard. The sign only comes with some sense of shame in the protagonist's character, or the kind of plot that feeds you history in different ways. It should be interrupted, and it should be exploded or not (I'm talking about you, Bai). The hometown next door is almost all the formulaic Nanbeng useless cute plot... As for the setting of the waistcoat, I have seen many authors either slow to reveal it and kill the enthusiasm of readers, or they have no emotion at all. It is better not to write. Although this book has a few minor flaws, in general, it has completely written what should be written, whether it is the characterization of the characters or the emotional support, so I don't quite understand why this book only has a low score of 8.1 Points. Maybe some plot points are not my highlight. Anyway, I am looking forward to the climax of the next chapter.

The main character has been cast off. I think this word count is okay. The main reason is that there is no need to be cast off in the beginning. The slow pace and the characterization of a few people are currently being criticized. I won't talk about the slow pace. Those who like to read will naturally read it. Regarding Yara and the previous guardian (forgot the name), the plot of Yara is indeed terrible, but it is also very real. There will always be gods in such a university. The main reason is the protagonist's attitude towards Yara. You can see it. The protagonist is not that tough on social aspects. It might be better to just write the protagonist to persuade the roommates to stay away from Yara and form a small group for isolation, but it will have a strange smell and is not in line with the style of the Oath Sage. As for how to deal with this character later, either directly reduce the plot, or influence her (I guess it is the latter), one rhythm is faster, the other slower, or let Yara realize it by herself in a certain incident. As for the two guardians, these are two basic tools, but I don't understand why they wrote a plot where they stick to the protagonist. Could it be that these two will be useful later? Or does it simply reflect the charm of the protagonist? If I had known that the academy chapter was so good, I would have wished to finish the foreshadowing part faster. In short, the shortcomings do not hide the good points. The advantage of the novel is that it can redeem the perception brought down by its shortcomings. Since I am relatively accepting of these shortcomings, it is a high-scoring masterpiece in my mind😚

It's very beautiful and has excellent writing style, so I want to ask if there is a female protagonist, will it be a double female protagonist? 🥰[Sneaky smile]

It feels like one of the Western fantasy novels with the clearest logic that I have seen. The author is very able to grasp the rhythm of the plot, and the writing style is becoming more and more concise, and there is no brainless gag. The main reason is that the setting is very strange, and the contrast between the hero and the loli makes people want to keep reading 😘. The only thing I feel a little bit curious about is that this is probably a group portrait article. Is there too much description of some supporting characters that are not very important? It feels like it has no special significance to the main plot. I don't really understand it, so I just asked [what]. Also, is the author a bit xu? Writing this in one day is not enough for anyone to read [smiles]

This is my favorite book except "Lord of Mysteries" (ÇワΟ). This book is not like other books. The anti-routine is one of the highlights. The protagonist is portrayed normally or even favorably (I like protagonists with three positive views). More importantly, not only the protagonist, but other characters are also very vivid and distinctive, that is, they are lifelike and will grow step by step, and the reasons for promoting the development of the story are very reasonable. (The most important thing is that I think the author's future is limitless so I invest in advance) Come on💪!!! I believe you, the author, can do it!!!

I haven't read them all yet, but it's really annoying to keep posting and repeating words. The plot unfolding after the first volume is quite surprising. Mainly because of the ups and downs of the plot. Except for the plot at the end of the first volume, the ups and downs are mostly gentle now that I have read half of it, and then the exam part. To be honest, I am not very cold. I hope there will be changes in the middle and later stages. The description of the protagonist seems a bit monotonous. The protagonist does not really stand up. If I say it again, except for a few chapters at the end of the first volume that surprised me, the rest of the writing is very bland. It doesn't make people feel how much growth it has made it become more powerful, but the growth is rarely written and it's a bit like a summary. I think the pace can actually be faster in the beginning. It would also be good to write posts after the transition to the early and late stages. This is just a personal suggestion. Let's check it out later. I'll comment later when the plot picks up. How's it going? In fact, the main thing is to post. There are too many comments from others, covering up the protagonist himself.