Qiao Yiyan, a college student at Peking University, and Jiang Yao, a poor student, accidentally switched bodies due to a red meteor and were forced to start pretending to be each other's lives. Qiao Yiyan had to deal with the pressure of Jiang Yao's part-time job and the family dilemma of being dependent on others, while Jiang Yao had to adapt to Qiao Yiyan's status as a college student and his complicated social circle. The two gradually get to know each other as they get along. Qiao Yiyan helps Jiang Yao get rid of his cousin Jiang Xin's entanglement. Jiang Yao handles the crisis in the basketball game for Qiao Yiyan, and discovers the bond between each other in the law of exchanging bodies.
Reader comments
I was originally going to give five stars to encourage it. At first I thought the male and female protagonists were not very good-looking, but later I felt that their acting skills were okay and I liked it. The plot at the beginning was quite good. Although it was not particularly novel, it was relatively reasonable. After the male and female protagonists swapped bodies, they adapted to each other's lives and saw each other's shining points. The heroine's initial character design is very good, she is independent and self-reliant, dares to love and hate, she is grateful for her uncle's support, so she is willing to work hard to repay her uncle's kindness, but she does not blindly condone the uncle's family's attempts to repay the favor. She likes the bold confession of her neighbor's brother, but gives up decisively after recognizing his true face, and has been working hard. Extremely self-rescuing, including being pestered by her cousin or being harassed and drugged by a scumbag, the heroine will keep evidence to protect herself by calling the police, reporting to friends in advance, secretly stuffing the drugged cup into her bag, etc. It can be said that the image of the previous heroine is really plump, gentle and courageous, and it is difficult for the male protagonist not to like her. Relatively speaking, the male protagonist is a bit of a stereotype, but his character design is pretty good, but the character design is a bit broken in the last ten or so episodes. He knows that the intersection with the female protagonist is due to the exchange of souls between the two, but he can still believe the scumbag's words to sow discord and think that the female protagonist uses him as a springboard to study abroad... But but! This is not even outrageous. The scriptwriter of the last five episodes is like being possessed. I thought the ending should be that the heroine goes to study abroad as planned, the hero lands in a foreign country before the heroine and directly pursues her to accompany her to study abroad, or occasionally flies to the heroine for a date in a foreign country, and finally the heroine comes back from studying abroad, a successful man proposes to the hero, the talented Lang Mao, and has a happy ending. The result - why is the plot that the heroine dreamed that her uncle was burned to death and asked for her life, and then her uncle was really burned to death, or was it the scumbag? If the scumbag wants to hate the heroine, he should also hate the heroine. He knows that his uncle's family didn't treat the heroine well at all back then, so he still helps the heroine take revenge on her uncle? And why in the end, the hero blocked the heroine's knife and lay unconscious on the bed. The hero's mother didn't care at all whether her son could wake up. She came up and said, don't make the heroine sad. The sister's first reaction was wow, brother, the heroine cares about you. [What] Your brother almost lost only his life, but what he gained was love, right? Then in the end, the heroine did not go abroad to study. Everyone was discussing at the dinner table whether the heroine would have a few children. The first seventy-five episodes felt like they were all in vain. The last five episodes were as crazy as the hero's hysterical dream after the heroine went abroad. Sorry, I was so angry that I wrote such a long comment [vomit]
I was originally going to give five stars to encourage it. At first I thought the male and female protagonists were not very good-looking, but later I felt that their acting skills were okay and I liked it. The plot at the beginning was quite good. Although it was not particularly novel, it was relatively reasonable. After the male and female protagonists swapped bodies, they adapted to each other's lives and saw each other's shining points. The heroine's initial character design is very good, she is independent and self-reliant, dares to love and hate, she is grateful for her uncle's support, so she is willing to work hard to repay her uncle's kindness, but she does not blindly condone the uncle's family's attempts to repay the favor. She likes the bold confession of her neighbor's brother, but gives up decisively after recognizing his true face, and has been working hard. Extremely self-rescuing, including being pestered by her cousin or being harassed and drugged by a scumbag, the heroine will keep evidence to protect herself by calling the police, reporting to friends in advance, secretly stuffing the drugged cup into her bag, etc. It can be said that the image of the previous heroine is really plump, gentle and courageous, and it is difficult for the male protagonist not to like her. Relatively speaking, the male protagonist is a bit of a stereotype, but his character design is pretty good, but the character design is a bit broken in the last ten or so episodes. He knows that the intersection with the female protagonist is due to the exchange of souls between the two, but he can still believe the scumbag's words to sow discord and think that the female protagonist uses him as a springboard to study abroad... But but! This is not even outrageous. The scriptwriter of the last five episodes is like being possessed. I thought the ending should be that the heroine goes to study abroad as planned, the hero lands in a foreign country before the heroine and directly pursues her to accompany her to study abroad, or occasionally flies to the heroine for a date in a foreign country, and finally the heroine comes back from studying abroad, a successful man proposes to the hero, the talented Lang Mao, and has a happy ending. The result - why is the plot that the heroine dreamed that her uncle was burned to death and asked for her life, and then her uncle was really burned to death, or was it the scumbag? If the scumbag wants to hate the heroine, he should also hate the heroine. He knows that his uncle's family didn't treat the heroine well at all back then, so he still helps the heroine take revenge on her uncle? And why in the end, the hero blocked the heroine's knife and lay unconscious on the bed. The hero's mother didn't care at all whether her son could wake up. She came up and said, don't make the heroine sad. The sister's first reaction was wow, brother, the heroine cares about you. [What] Your brother almost lost only his life, but what he gained was love, right? Then in the end, the heroine did not go abroad to study. Everyone was discussing at the dinner table whether the heroine would have a few children. The first seventy-five episodes felt like they were all in vain. The last five episodes were as crazy as the hero's hysterical dream after the heroine went abroad. Sorry, I was so angry that I wrote such a long comment [vomit]