"Life, can you let me go this time~"
With the arrival of great luck, I found myself traveling back to the port area.
Open the window, the sunshine is just right, and the sea breeze is slightly salty - there is no threat from the Siren fleet, no life-and-death battles, only a group of ship girls who trust and love you wholeheartedly.
You don't need to be a hero who saves the world. You can have breakfast with them, go shopping with them, watch fireworks with them, or spend every ordinary and sweet day with them.
Just refers to pure love, daily life in the harem, no knife or torture, mainly about daily life of madness
I have traveled through time and served as a commander. I am not taking it for granted or writing it randomly.
Reader comments
The author followed me for three years before writing this book [shy]
It's nice to read, but the Siren aspect is a bit perfunctory (it shouldn't be important, after all, it's more about daily life.) Overall, the author's writing is very delicate and nice to read.
The protagonist suddenly travels back to his own port area. There is only one commander in the world, and that is the protagonist. Because of the time difference caused by time travel, it has been changed to 2 to 3 years when he returns.
The ship girl has been waiting for the commander. After being examined by Akashi, it was discovered that the commander has a mind cube in his body, which can stick to the ship girl and become stronger.
The plot is to reunite with the ship girl alone, triggering special quotes, unless there is a blank CG at night (because Shen He only has foreplay and after-action).
For one reason, the portrayal of the protagonist is not rich enough. He only needs to express his love repeatedly without making too many changes based on the person. It makes me feel that the protagonist is a person with only some fixed quotes.
That is to say, in the early stage, people can feel her distinct individuality. Later, the focus is on the ship girl herself. It feels like the commander just went to film a scene and was unable to express the deep emotions.
In the end, the protagonist asked twice what the maid said, "Lock him up and monopolize the protagonist." The first time the protagonist asked, the maid didn't really want to hurt the commander, and the protagonist's answer was basically no answer, and there was silence. The maid still needed to say don't be afraid: "If the commander is unhappy, Belfast will be even more unhappy."
Can the protagonist rise up! The previous scenes were all normal and the CG was very good, but suddenly I encountered some serious words, such as being locked up and so on, and the protagonist's explanation felt like a formality, which made me feel very uncomfortable.
Summary and Reunion of the Ship Girl's One-Day Little Theater, the protagonist is well left blank, making the protagonist like those nooks and crannies, without many options to watch.
Then let me ask you, where is the group number? 😡😡😡😡
It looks good, and the writing is also good.
As long as it's a ship girl type, it will get rave reviews.
The author seems a little confused between observers and purifiers?
The author followed me for three years before writing this book [shy]
It's nice to read, but the Siren aspect is a bit perfunctory (it shouldn't be important, after all, it's more about daily life.) Overall, the author's writing is very delicate and nice to read.
The protagonist suddenly travels back to his own port area. There is only one commander in the world, and that is the protagonist. Because of the time difference caused by time travel, it has been changed to 2 to 3 years when he returns. The ship girl has been waiting for the commander. After being examined by Akashi, it was discovered that the commander has a mind cube in his body, which can stick to the ship girl and become stronger. The plot is to reunite with the ship girl alone, triggering special quotes, unless there is a blank CG at night (because Shen He only has foreplay and after-action). For one reason, the portrayal of the protagonist is not rich enough. He only needs to express his love repeatedly without making too many changes based on the person. It makes me feel that the protagonist is a person with only some fixed quotes. That is to say, in the early stage, people can feel her distinct individuality. Later, the focus is on the ship girl herself. It feels like the commander just went to film a scene and was unable to express the deep emotions. In the end, the protagonist asked twice what the maid said, "Lock him up and monopolize the protagonist." The first time the protagonist asked, the maid didn't really want to hurt the commander, and the protagonist's answer was basically no answer, and there was silence. The maid still needed to say don't be afraid: "If the commander is unhappy, Belfast will be even more unhappy." Can the protagonist rise up! The previous scenes were all normal and the CG was very good, but suddenly I encountered some serious words, such as being locked up and so on, and the protagonist's explanation felt like a formality, which made me feel very uncomfortable. Summary and Reunion of the Ship Girl's One-Day Little Theater, the protagonist is well left blank, making the protagonist like those nooks and crannies, without many options to watch.
Then let me ask you, where is the group number? 😡😡😡😡
It looks good, and the writing is also good.
As long as it's a ship girl type, it will get rave reviews.
The author seems a little confused between observers and purifiers?