[Wearing books + era + following the army + marry first, love later + slow passion]
In the book, the heroine became a widow because her husband died during the mission. After her rebirth, she resolutely stated that she wanted to be a villain. The first thing she did when she became a villain was to steal her cousin's marriage, and then give her own mess to the cowardly and cowardly cannon fodder female partner. The euphemistic name is exchange.
And the cannon fodder female partner who was exchanged for a marriage - Lin Xiao, actually has the same name as herself.
Lin Xiao resolutely turned off her phone when her roommate jokingly suggested reciting the full text: "The female protagonist only relies on men, is scheming and has no plans, and the male protagonist who is unaware of it is slow and stupid, and can't see the truth clearly. It's all bad people and bad things."
But she didn't expect that one day she actually traveled to the 1970s and was told that she was about to marry her husband, an army officer, until her original cousin came over crying and said - I'm sorry I stole your husband, in exchange I will give you my husband.
Looking at the familiar plot, a cousin who is crying and trying to steal a bride, a family where all members are blood-sucking and cold-blooded. A question mark slowly appeared on Lin Xiao's head.
Could it be that she didn't travel through time but through books?
Want her to be cannon fodder? Lin Xiao sneered.
She looks gentle and reasonable, but she has never been a soft persimmon that can be rounded or flattened by others. If anyone wants to use her as a stepping stone, she will dare to overturn the chessboard.
No matter what era or situation, she can live a good life.
She will go to high school and college, pursue her ideals, and let everyone see how well that person they once thought was a soft persimmon can live!
Reader comments
Congratulations on the completion!
Personally, I think it's quite interesting. Within the framework of the rebirth routine, it can be seen that the author wants to write some unique women. The concept and characterization are pretty good. The emotional scenes between the male and female protagonists are quite sweet.
But there are still many parts worth improving, such as not clarifying the creative ideas. If the heroine's growth is to be written, the female supporting part should be completed quickly. Go directly to the heroine's growth, career and family section. If we still write the comparison according to the routine, we should write more about the female supporting role getting slapped in the face. If the two parallel lines are not solved, there will be a sense of frustration that the female partner is always jumping around. Readers can neither see the dramatic conflict nor read the interesting story, and the reading experience is not high.
I personally think the growth of the heroine is a bit frivolous. She is not a real rural woman. She can live a good life outside the countryside because she comes from the 21st century and is highly educated. In this case, if you spend a lot of space writing about the heroine's personal growth after leaving the countryside, you will not see any growth. You will only feel that this is how it should be. However, it can be seen from the writing that the author wants to write about a woman like Liu Xiaoyan: living in the countryside but not surrendering to fate, refusing to be confused, insisting on learning and thinking. This leads to an inflated growth line, and the changes in female characters are all single-point. They do not influence each other in terms of growth, nor do they sow the seeds of learning and growth to their surroundings, which leads to the lack of growth in the social atmosphere in the article.
I hope the author writes better and better [Like]
Congratulations on the completion! Personally, I think it's quite interesting. Within the framework of the rebirth routine, it can be seen that the author wants to write some unique women. The concept and characterization are pretty good. The emotional scenes between the male and female protagonists are quite sweet. But there are still many parts worth improving, such as not clarifying the creative ideas. If the heroine's growth is to be written, the female supporting part should be completed quickly. Go directly to the heroine's growth, career and family section. If we still write the comparison according to the routine, we should write more about the female supporting role getting slapped in the face. If the two parallel lines are not solved, there will be a sense of frustration that the female partner is always jumping around. Readers can neither see the dramatic conflict nor read the interesting story, and the reading experience is not high. I personally think the growth of the heroine is a bit frivolous. She is not a real rural woman. She can live a good life outside the countryside because she comes from the 21st century and is highly educated. In this case, if you spend a lot of space writing about the heroine's personal growth after leaving the countryside, you will not see any growth. You will only feel that this is how it should be. However, it can be seen from the writing that the author wants to write about a woman like Liu Xiaoyan: living in the countryside but not surrendering to fate, refusing to be confused, insisting on learning and thinking. This leads to an inflated growth line, and the changes in female characters are all single-point. They do not influence each other in terms of growth, nor do they sow the seeds of learning and growth to their surroundings, which leads to the lack of growth in the social atmosphere in the article. I hope the author writes better and better [Like]