[Steampunk + Western Fantasy + Loot-and-Extract System + Multiple Races + Warhammer Vibes] Yang Xia transmigrates to a fantasy world and becomes an apprentice at a magic academy. He meant to hone his magical skills and become a great mage, but the System he binds to is a Delta Force loot-and-extract System... Aimbot, wallhacks, unlimited skills, and a loot radar. He finds gold bars in a slime's loot box and a pocket watch in a goblin nest. Need to hunt down a hydra? Sure, sure. Just let me try out a 4x4 secure container first. What evil god? Can it beat my bucket head and staff with an extended drum magazine? Years later, surrounded by a warehouse full of top-tier loot and rare collectibles, Yang Xia lies in the Saintess's arms and says, “Don't move. Let me feel your Heart of Africa!”
Quote from the original text: Then scold her hard and outright, and ask her what on earth is going on in her mind, and why she always sends herself to the most dangerous place! The protagonist has a brain, and the roommate also has a brain. Although the villain wants to harm the male protagonist, he also has a brain. Only the female protagonist, for some reason, insists on being stupid, and then the protagonist follows suit. A first-level rookie who has just started, has no strength at all, and has just passed through with a soul. There is not much emotional bond, and he runs to a place where even the senior rescue team has been wiped out. Do you really know that you are the protagonist of this book? This book was quite good at the beginning, and my perception of the characters was okay. I was only confused about the author. I didn't understand why he had to set up such a difficult opening and write the protagonist into taking the initiative. If the author wanted to show that the protagonist takes a heroic action for the heroine, then I'm sorry, all I saw was arrogance, ignorance, and overestimation of one's abilities.
I tried my best to read Chapter 77, but was defeated in the end. There were a lot of inconsistencies and the character descriptions were sparse. Some other elements of the work were like using super fusion to forcibly fuse two incomparable things. It felt like a third-rate chef making random stews.
In an AI novel, the protagonist hired a small lizard to find a girl. The reward was to provide a basket of sleeping mushrooms, which he picked on the way. After returning to the academy, he returned the lizard and the protagonist actually asked for money as a fee. After the girl refused, she actually said that the reward was to deliver a letter, without mentioning the mushrooms. The protagonist's junior classmate in the same dormitory lent him a knife. Before he went out to save people, he said he lent it to the protagonist. When the search was over, the protagonist said it was given to him, and you just took it?
Well, it's a bit more classic, academic, and a little bit poisonous, which is actually pretty good. After all, he's a new author.
Even though he knew it was dangerous, he still went there. If you are not the author and you start writing this for about ten chapters, you will dissuade a lot of people no matter what time you write it.
It's an outrageous plot. My female friend is mentally ill and goes to a dangerous place to seek death. Then the protagonist, who has no abilities, runs there claiming to be saving people but actually ends up dying.
Abstract, 🤮
A bit toxic, read with caution.
It's over, the classic waste material counterattacks this unbelievable and unbelievable plot of cerebral hemorrhage and suppression,
Didn't you say you wouldn't go? Why did you go again?