"In this world, women are not a footnote of the 'second sex', but the measure of all things."
When Lilith, the top political coordinator, traveled to the body of "Duke Black Rose", she faced not only a near-death endgame, but a new era in which logic was completely reconstructed. Here, historical monuments are engraved with women's names by default, and creation myths extol the majesty of the goddess. Women are no longer the defined "other", but the absolute subject of making achievements and expanding territory. Ambition and strength are the most basic expectations for women here.
This book completely bids farewell to the traditional otome-centric position of being "saved" and "protected" as a vassal. As the Lord of Black Rose, Lilith faced four powerful demons who had turned against the original owner out of hatred. However, she never tried to win sympathy with warmth or weakness. Instead, she used her first-class pride to turn these four violent forces into a scepter and a strong shield in her hands.
Yegard, Mod, Lyle, Keros... These once arrogant masters of the abyss, in Lilith's game, are no longer male protagonists waiting for charity, but executors who must bow their heads in the game of interests and surrender under the absolute will.
Special note: The name of the protagonist in this book is intended to pay tribute to an excellent female protagonist short play that the author loves. In addition to the name tribute, the storyline, worldview structure and power logic of this book are all original. It aims to dig deep into the spiritual core of women as the first sex and build an abyss epic that truly strips away the "other gaze".
"In this land, there is no redemption, only power; no dependence, only conquest."
