Chen Zhen, the No. 1 Bajiquan master in Jinmen, actually passed through the Tang Dynasty and became a seven-year-old little Tang monk. The memory of his previous master was still lingering. He practiced martial arts hard at Jinshan Temple and integrated the fierceness of Bajiquan with the Buddhist stick technique. When he came of age, he glared at King Kong and "physically saved" his father-killing enemy Liu Hong with his own hands. Avalokitesvara gave him a brocade cassock and a nine-ring tin staff, but he sneered and refused, asking only for the Arhat's magic spell and a hundred-jin Zen stick. As he set foot on the westward journey, he encountered a demon causing trouble. The fair monk took off his monk's robe, revealing his tendons and said, "Disciples, please step aside. Master is about to begin his salvation!" With his superb martial arts, he forcibly penetrated a hard-core path to obtain Buddhist scriptures. The core themes are "Proving Tao through Martial Arts" and "Aesthetics of Contrast Violence". Breaking the traditional stereotype of Tang Monk in Journey to the West as being weak and only shouting "Wukong, save me" when in danger, the film combines the fierceness of Bajiquan, a martial arts master from the Republic of China, with the background of the fairy tale in Journey to the West, showing the ultimate pleasure of "crashing against a mountain and smashing into a cave" and "destroying a big monster with half-step collapse fist". The story focuses on how the protagonist uses full-level martial arts and Buddhist magic to reshape the ceiling of the Westward Journey's combat power.