Transmigrated to the Qing Dynasty as a World-Weary Favorite Consort

The writing is good. It is a collision of ideas and three views that were separated by hundreds of years. Kangxi did not understand the ideas and three views of the heroine as a modern person, and the heroine did not want to accept the ideas and rules of the Qing Dynasty. I just don't know who compromised in the end. I hope it's not the heroine. That would be too frustrating. I won't be able to die, and I'll be desperate even if I'm alive.

I read that I abandoned the article in Chapter 65 because the author of these chapters wrote about ancient women's foot binding, blaming it on Han tradition and the Manchu Qing Dynasty as the one who stopped it. This made me very uncomfortable. Broken feet have not been found in the tombs unearthed in the Song and Ming Dynasties. Instead, they appear frequently in the Manchu and Qing dynasties, including the women's shoes and socks unearthed in these dynasties, all of which we can see in kind. The foot binding of the Song and Ming dynasties was similar to the way modern ballet dancers modify their feet, making them slender and graceful, while the foot binding of the Manchu and Qing Dynasties was to break the feet. The two are fundamentally different. There are hundreds of female generals in the Ming Dynasty whose history can be traced. The most famous one is General Qin Liangyu, a general in the late Ming Dynasty. Chongzhen wrote 4 poems in his life, three of which praised Qin Liangyu, and one of which was a scolding of the courtiers. If the foot-binding style is really a Han tradition, why were there so many female generals in the Ming Dynasty? Can the Han people really let their mothers, sisters, and daughters break their foot bones if their parents are particular about their body, hair, and skin? If you don't believe me and think I'm talking nonsense, you can search for Qiu Ying's paintings from the Ming Dynasty. He is famous for his market paintings. In his paintings, there are all kinds of items sold on the streets, including shops specializing in glasses, shops specializing in portraits, specialized pediatric clinics, and shops specializing in various imported goods, etc. In his paintings, you can see women in the Ming Dynasty going shopping, with several little sisters walking together, and some riding donkeys alone to go shopping. The so-called women never leave the house or leave the house. This was all done by the Manchu Qing Dynasty in order to rule and confine the minds of the people. To put it bluntly, the origin of foot binding in the Qing Dynasty was that after they entered the customs, they raced to enclose the land. In order to prevent the Han people from migrating and escaping, the soles of the women's feet were cut off. Later, it was found that the mortality rate was too high, so it was changed to foot binding. Because they have gained the country unfairly and used low-level civilization to dominate high-level civilization, they can only imprison, eliminate, and drag high-level civilization into the lower level. So stop spreading the word that foot-breaking foot binding is a Han tradition. Modern information is so advanced. Learn more about it. Our ancestors were not that feudal at all. Including the literacy rate, the Ming Dynasty made it compulsory for children to enter school. There are historical data to check. Moreover, Tang poetry, Song Ci and Ming novels are famous for novels, which proves that the literacy rate of the people must not be low, but rather higher. Although I only write novels, I am also a cultural worker. When writing about history-related matters, please collect more factual and historical materials.

The description of the female protagonist is really good, but the male protagonist is really hard to describe. It's not bad, but I can't like it from the female protagonist's perspective. It really can't represent how deep their love will be in the future. The one star less is because of the male protagonist. If possible, I hope the author can write a non-CP female protagonist. I'm really looking forward to it.

It's very interesting. It's rare that a modern time-travel heroine doesn't immediately "know the current affairs" when she arrives in the Qing Dynasty. I really like the energy in the heroine, which is unique to modern people's stubbornness. In contrast, Kangxi's charm is not shown very much. The self-guided strategy is good, but the writing is not so lovable. However, he quarreled with the heroine and did not give the heroine face and praise.

It's pretty good-looking. Although it's unclean, there's nothing I can do about it. I hope the heroine won't fall in love with Kangxi. Falling in love with an emperor is not a good thing.

This heroine is actually very normal. She has no freedom after time travel. Even if she ascends to the back seat, it is painful for her to be pregnant and give birth. She is indifferent to the child because she has never felt a sense of belonging to this place. She cannot let herself sink into such a square harem! Her children (who observe etiquette, follow the rules, and discourage her from saying things she would have said casually in modern times) are also reminding her. She does not belong to this era, she is depressed, and she knows it. I don't know what her ending will be. I feel sorry for her

The character design of the previous heroine is very good and I like it very much. However, I really don't like giving birth now, it's very frustrating, my heart is broken, and I'm so angry, so I'm missing one star.

The emperor is indeed not worthy of the heroine, and neither is the prince. He also wants a concubine with the same temperament as the heroine 😄

It looks good... I like to see this kind of cold-hearted and sensible person, who doesn't flatter anyone and doesn't need to please others without suffering any loss. It's very good-looking.

Never fall in love with Kangxi, the heroine is a smart person