Once, stories were written about them. Now, they write the stories.
What happens when women who were never allowed to be the subject become the protagonists?
The endings that once left readers aching are no longer set in stone...
No fixed pairing + both leads untouched + immersive quick transmigration
World One: Modern Elite Families. Reckless White Moonlight and Unknown Background Extra
Zhao Jiazhen is the White Moonlight in a melodramatic romance novel. She and the male lead grew up together, sharing an innocent childhood friendship that blossomed into love and an engagement. But fate was unkind: the male and female leads were drugged at their engagement banquet and forced to marry. Heartbroken, she left the country for five years. When she returned, she was still blindly infatuated with the male lead, driven mad by love and willing to do anything. In the end, her family fell into ruin and her loved ones died, leaving her with nothing...
But once the melodramatic, senseless facade of the script is stripped away, every character has already come alive in their own right. As Heaven's corrections push the plot forward, where will they go from here?
World Two: Ancient Times
It feels a bit like Xiaosi's youth pain novel, but the writing style is immature and the narrative is too procrastinating, bland and pretentious.