Mountains and Rivers Ink: She Is a Monument to Jiuzhou

From the skeletal girl in the pearl fishing village to the reincarnation carrying eight drops of blood on his shoulders, Hua Wei makes my heart tremble every time I put pen to paper. Qi Yuan's words "I have been waiting for you for twelve hundred years" made him cry. Tantai Jin is hard to hate, and Zhong Lixi's flying knife is engraved with "If I believe you, I am stupid" - the whole team's be aesthetic is too over the top!

Qi Yuan waited for one thousand two hundred years, and Tantai Jin also waited for one thousand two hundred years. One is waiting for the opportunity to protect, and the other is waiting for the obsession of a madman. It turns out that the word "wait" can be so warm and painful. Everyone is waiting, but everyone can't wait - they will kill me!

Self-commentary on the series "She is the Jiuzhou Monument": Use blood as ink to paint the mountains and rivers --- From the beginning of the first chapter "There is a City at the Bottom of the Lake" to the end of the thirty-fifth chapter "The Premonition of Awakening", this novel has gone through a journey of two volumes and thirty-five chapters. Looking back at the journey, I feel relieved, regretful, and even more hopeful about the future. 1. Two completed volumes: What have I accomplished? The character stood still. From the mortal girl in the pearl fishing village to the reincarnation carrying eight drops of blood on her shoulders, her growth can be traced. I deliberately avoided the common "Lin Xiao, Chen Zhou" and used the name "Hua Wei" throughout - she was born as an unfinished painting, waiting for the final stroke. Qi Yuan's cold face, venomous tongue and thousand-year affection, Zhong Lixi's hard mouth and soft heart, and Tantai Jin's crazy criticism and sadness have all resonated with readers. A reader left a message: "I can't hate the villain Tantai Jin." It's a bit cool and it's accurate. In the first volume, Dad's death, saving his mother from the bottom of the lake; in the second volume, Qi Yuan's illusion, his mother's serious injury, and the truth about Mo Wuhen - these sadistic points triggered a lot of tearful comments. The exciting point of Hua Wei taking the initiative to confront Duan Mu Jin for the first time and killing the enemy with a blood-painted mountain also made readers call him "Burning". There is pleasure in the abuse, and it becomes even more abuse after the pleasure. This kind of rhythm is what I pursue. The artistic conception of mountains and rivers is written. The paper city at the bottom of Poyang Lake, Wanjianxuan Mountain in Shushan Mountain, the sea of ​​mistura flowers in Yelang Ancient Valley, and the bone flowers in Penglai - every scene strives to make readers immersed in the scene. A reader said: "After reading this book, I want to visit Poyang Lake, even though I know there is no Paper City." 2. Existing problems: I still need to improve The rhythm is occasionally off-kilter. The middle part of the second volume (Chapter 28-31) progresses a little faster, and the test of Penglai Island could have been written in more depth. Some readers reported that "those chapters felt a bit rushed", which is something I need to be wary of in the future. Some of the supporting characters are poorly written. Characters such as Zhang Yuxuan, Zhong Lixi's father, and Mu Yunqiao could have more substantial background stories, but at present they are more functional. Volume 3 will give them their "highlights." The transformation of Tantai Jin can be more delicate. Although the transition from a pure villain to a tragic figure is foreshadowed by Night Talk in Chapter 18 and Memories in Chapter 20, there are still readers who feel that "the transition is a bit sudden." This is something I need to make up for in subsequent chapters. 3. The power of readers: you make this story better During the serialization process, every comment from readers affects me. Some people said, "The painting is too miserable. Can you give her a little sweetness?" So I added a tender scene of her and Qiyuan Lake doing laundry in Chapter 14. Someone said, "I really like the character Zhong Lixi and want to see more stories about her." So I gave her more scenes in Chapters 16-18 and even "resurrected" her father. Some people said, "Can Tantai Jin's past be more detailed?", So the truth about Mo Wuhen was revealed in Chapter 33. This kind of interaction is the greatest charm of serialization. 4. The direction of the third volume: All living beings are ink The third volume of "Ink on All Living Beings" will focus on two things: how Hua Wei completes the "last stroke" before awakening; and how everyone around her protects her in their own way. To what extent will Qi Yuan's pen crack? Will Zhong Lixi die for Hua Wei? Can mother wake up? Which side will Tantai Jin end up on? And the last fairy scroll - what does "in the heart" mean? These questions will be revealed in the third volume. I know this novel is not perfect. The pacing has flaws, the characters have omissions, and the plot can be improved. But I write every chapter with the mentality of writing it for myself. Because I believe that only by impressing yourself first can you impress readers. Thank you to everyone who reads this. It was your company that allowed Hua Wei, Qi Yuan, Zhong Lixi, and Tantai Jin to move from my mind to this real world. Volume 3, let's continue. --- Use blood as ink to paint the mountains and rivers. She built a monument for Jiuzhou, and I wrote for her. When the world first opened, there were no mountains or rivers. Later, there were mountains, water, seas of clouds surging, and thousands of swords hanging in the sky. Later, there were people. People gave names to mountains and rivers - Kunlun, Shushan, Yunmeng, Qingqiu, Biluo, Cangwu, Danxia, ​​Xuanming. Then the mountains and rivers have souls. But people don't know that mountains and rivers can also hurt. In that battle between ancient gods and demons, the sky was torn apart. The crack started from the top of Kunlun, spread all the way, passed through the sea of ​​clouds, crossed the river, and cracked to the end of the world. Where cracks pass, spiritual veins are broken, and demons breed. Some people knelt beside the crack for three days and three nights, begging God to take away this disaster. God did not respond. Because the sky itself has been torn apart, what can we do to respond? So there was a magic craftsman. No one knows her name. Some people called her Mo Wuhen, some said her name was Hua Wei - but that was a long time ago. At that time, people only called her the "Magical Craftsman" because she made nine paintings with one pen. Those nine paintings are called Mountains and Rivers Fairy Scroll. She traveled throughout Jiuzhou and refined every spiritual vein into the scroll

Every drop of blood on the unpainted birthmark makes me shed one more tear. When Qi Yuan said, "I have been waiting for you for twelve hundred years," I cried harder than I did in Hua Wei. Tantai Jin is hard to hate, and Zhong Lixi's knife is engraved with "I'm stupid if I believe you" - but she believed it. All members have aesthetic ceilings, come and see them!

Every time the birthmark at the end of the painting grows, Qi Yuan's pen cracks. Can two people who have been waiting for twelve hundred years not be so cruel in this life? The sword saw blood, but I got the upper hand!