Fighting Cavalry: Love Is Moved Between the Sharp Edges

There is no tenderness in the game at the Euretes Manor. The flying Muleta is the unruly bullfighter Hernando, and the cold light of the silver armor is the lonely bravery of the knight. The two clashed in pursuit and rescue, and their sharp edges were at odds with each other, but at the moment of life and death, a tenderness that was unparalleled in the world was born on the blade. On the other hand, photographer Joseph freezes time with his lens, preferring to capture the calm appearance of the mortician Aesop Carr; Aesop is alienated from the world, but he cannot ignore the gaze behind the camera. In the pull of time and life and death, there is a secret affection. The main part is about fighting and riding, and the secondary part is about funerals. (Maybe I finally remembered to write this. I wanted to write it a few days ago, but I forgot.