When I was sorting out folklore and anecdotes in the archives, I saw too many incredible past events.
A series of unsolved cases and oral accounts from those who have witnessed it reveal the most authentic Chinese horror - there is no joy under the red hijab, there are ghosts hidden next to the white prayer flags, and the sedan chair can be used to send newlyweds, or it can also attract evil spirits to return home.
The top level of terror has always been Hualiu.
Reader comments
The essence of Chinese horror never lies in the green-faced and fanged ghosts, but in the "darkness in the fireworks of the world" - it is the taboo legend under the old tree at the entrance of the village, the strange contrast among acquaintances in the neighborhood, and the extreme fear under the traditional cultural symbols. The novel "Chinese Horror: Hua Liu is the Top" uses archival records as a carrier to integrate folk taboos, human subtleties and Chinese aesthetics, and outlines the most horrifying picture that pricks the nerves of Chinese people.
The essence of Chinese horror never lies in the green-faced and fanged ghosts, but in the "darkness in the fireworks of the world" - it is the taboo legend under the old tree at the entrance of the village, the strange contrast among acquaintances in the neighborhood, and the extreme fear under the traditional cultural symbols. The novel "Chinese Horror: Hua Liu is the Top" uses archival records as a carrier to integrate folk taboos, human subtleties and Chinese aesthetics, and outlines the most horrifying picture that pricks the nerves of Chinese people.