[Time Travel + Military + Farming + Water Margin Fandom + Multiple Female Leads + Passionate + Machiavellian + Cutting Off the Husband]
This is a time-travel historical novel with a large scale, many characters, and dense plots. It combines the real history of the late Northern Song Dynasty with the classic characters and story lines of "Water Margin", and adds elements such as time-travel, military, and farming.
Zhao Ming, a history graduate student, pretended to be the younger brother of Emperor Huizong of the Song Dynasty. He held the script in hand and knew that Jingkang would be disgraced twelve years later.
Core goals:
Short-term: Change the tragic fate of the Liangshan heroes in "Water Margin" and snatch them back from "the hands of the King of Hell."
Mid-term: Before the Jingkang Incident (1127), they secretly accumulated strength and established a private armed force called the "Tian Po Army" to prepare for the coming troubled times.
Long-term: Resist the southern invasion of the Jin Kingdom, protect the country and the people, and change the historical trend of the demise of the Northern Song Dynasty and the loss of life.
Reader comments
As a time traveler, the male protagonist is not a mindless crusher, but uses modern thinking + historical cognition + human sophistication to solve problems.
While he was fighting wits and courage with Gao Qiu and Cai Jing, he was "cutting off" the heroes he liked in the arena, and at the same time coaxing Li Qingzhao, who was under eighteen years old, not to go drinking in Fanlou all the time.
The line of love is not "love at first sight", but "get closer slowly"
Li Qingzhao and the male protagonist have gone a long way from "How do you know the lyrics I wrote" to "It's good to have you back."
Hu Sanniang and the male protagonist have also gone a long way from "Why did you save me?" To "I might have a family this time."
There's nothing grand, it's just that the days are passing day by day, and my heart is relying on it little by little.
Jianghu is not about fighting and killing, it is about human relations.
Song Jiang wants to recruit troops, Gao Qiu wants to suppress bandits, Cai Jing wants to form a party, and Tong Guan wants to make meritorious deeds.
The Liangshan heroes are not tool men. Lu Zhishen is still the flowery monk who "disposes of the family's family and the family's shortcomings", and Wu Song is still the talkative and ruthless traveler. They are both brothers of the male protagonist, not pawns.
The male protagonist is alone, writing letters one by one, one person at a time, slowly building up his own family fortune.
The pace of the first dozen chapters was relatively slow. At that time, I didn't think about how to write it, so it was a bit rough. The plot gradually became clear from Chapter 16 onwards. I will revise it slowly when I have time.
I hope you can give encouragement to new authors. Writing this book is more of a hobby for me than playing chicken. Anyway, as long as one person is reading it, I will keep writing when I have time.
As a time traveler, the male protagonist is not a mindless crusher, but uses modern thinking + historical cognition + human sophistication to solve problems. While he was fighting wits and courage with Gao Qiu and Cai Jing, he was "cutting off" the heroes he liked in the arena, and at the same time coaxing Li Qingzhao, who was under eighteen years old, not to go drinking in Fanlou all the time. The line of love is not "love at first sight", but "get closer slowly" Li Qingzhao and the male protagonist have gone a long way from "How do you know the lyrics I wrote" to "It's good to have you back." Hu Sanniang and the male protagonist have also gone a long way from "Why did you save me?" To "I might have a family this time." There's nothing grand, it's just that the days are passing day by day, and my heart is relying on it little by little. Jianghu is not about fighting and killing, it is about human relations. Song Jiang wants to recruit troops, Gao Qiu wants to suppress bandits, Cai Jing wants to form a party, and Tong Guan wants to make meritorious deeds. The Liangshan heroes are not tool men. Lu Zhishen is still the flowery monk who "disposes of the family's family and the family's shortcomings", and Wu Song is still the talkative and ruthless traveler. They are both brothers of the male protagonist, not pawns. The male protagonist is alone, writing letters one by one, one person at a time, slowly building up his own family fortune. The pace of the first dozen chapters was relatively slow. At that time, I didn't think about how to write it, so it was a bit rough. The plot gradually became clear from Chapter 16 onwards. I will revise it slowly when I have time. I hope you can give encouragement to new authors. Writing this book is more of a hobby for me than playing chicken. Anyway, as long as one person is reading it, I will keep writing when I have time.