A local accidentally gains a pocket dimension and lives quietly in the courtyard, watching the main cast's antics while trying to make the best of his own life.
This story has no mass slaughter, no cultivation, no System, no crude toilet humor, and no modern technology. The tone is mild, and there are no absolutely good or bad people. It's about a group of ordinary people struggling to survive in turbulent times, with an effort to keep things realistic. It features an ensemble cast.
The pocket dimension exists only to help the protagonist get through the early famine. After that, it barely features.
Warning: There are scenes where he uses the pocket dimension to help the team transport supplies.
This is my first time writing, so the prose is rather immature at first. Stick with it and it gets better.
Beautifully written. A native in a chaotic era occasionally gets space, and keeps a low profile in the courtyard. Occasionally, the righteousness of the family and the country will remove the Japanese food to the country, and there are also small families with wives and children who are hot on the kang. It is really interesting. Compared with some messy courtyard novels, I think this one is quite interesting. At least it is very real. Goldfinger is not very big, just an acre of static space. At least it looks like the feeling of that era. I hope the author will add more soon.
The series has reached chapter 202, so I'd give it a 9.4 Rating. ✅The writing style is okay. The novel is overall warm and bland. There is no viciousness or demonization. It is all about historical changes and idiosyncratic content. ✅The male protagonist Chen Shan is an indigenous man. His parents were killed by Japanese soldiers. The eldest brother chose to join the army to avenge his parents, leaving the male protagonist alone at home. The war in the country was intense, and their homes were destroyed. The men went to the streets to find jobs. They unexpectedly got storage space. They learned to make pastries while storing food. They saved money to buy a house and moved into No. 95 Courtyard, where they became a generational partner with He Daqing. After the male protagonist enters the courtyard map, the author narrates the key plots in the TV series in the order of events, such as: The male protagonist moved into the courtyard house, met the deaf old lady He Jia and the Yi family Jia family, the male protagonist married Wang Guilan, the male protagonist had four children, the Liu family and the Xu family and the Yan family moved into the courtyard house, the death of old Jia, the death of He Daqing's wife in childbirth, the birth of Yu Yu, the election of the steward, the origin of the name Silly Zhu, the eldest mother taking care of Yu Yu, and He Daqing runs away, Jia Dongxu and Qin Huairu get married, Bangge and Xiaodang are born one after another, Zhuzi Damao joins the rolling mill, Jia Dongxu dies, Sophora japonica is born, Guangqi Yuyu takes the technical secondary school entrance examination, Damao Xiao'e gets married, Zhuzi starts to support Jia's family, Qin Huairu takes over... It should be time to enter the plot line at the beginning of the TV series! ❌The eldest brother is so contradictory. On the one hand, I understand that he left the hero to avenge his parents and fight the Japanese, but at the same time, do I feel that the relationship between the hero and the eldest brother is still deep after being separated for more than 20 years? At the same time, if the eldest brother had not died, he should have been famous for 20 years but no one knew about it? If he died, there would be a suicide note for the country to send to the hero, right? I feel like the male protagonist doesn't try so hard to find his eldest brother, or the description in the article doesn't feel it. Maybe it's because the line has been dragged on for too long without any results. ❌In the early stage, many original residents were described, with identities, jobs, and names. I was quite looking forward to their storylines, but in the end, they all returned to the countryside and moved away... It would be good if there were more stories about the original residents to enrich the plot.
❌Goldfinger is big and has space, a lot of storage for buying grain, and transporting Japanese grain depots
The novel is really well written, very realistic and interesting, unlike other online novels like Journey to the West, where men and women have endless chores and are the same, and you can tell the end after reading the beginning. I hope the author will keep up the good work.
It's quite good. The protagonist, an indigenous person, stumbles upon a storage space and is able to withstand the temptation. During the Anti-Japanese War, he worked hard to learn how to shop in a noodle shop, stocking up on goods in a low-key way, living a low-key life, and living a down-to-earth life. Quite pyrotechnics.
Smooth, quiet, live a good life, and look good. Come on!
Well, not bad, nothing messy
It wasn't great at the beginning, but it was pretty good later on. The protagonist didn't pretend to be cool, and other courtyard houses were basically demonized. It was really annoying! You're pretty good at this.
Keep a low profile and don't show off, live a stable life, collect materials and treasures in space, don't meddle in other people's business, only care about yourself, and survive in troubled times
Beautifully written. A native in a chaotic era occasionally gets space, and keeps a low profile in the courtyard. Occasionally, the righteousness of the family and the country will remove the Japanese food to the country, and there are also small families with wives and children who are hot on the kang. It is really interesting. Compared with some messy courtyard novels, I think this one is quite interesting. At least it is very real. Goldfinger is not very big, just an acre of static space. At least it looks like the feeling of that era. I hope the author will add more soon.
The series has reached chapter 202, so I'd give it a 9.4 Rating. ✅The writing style is okay. The novel is overall warm and bland. There is no viciousness or demonization. It is all about historical changes and idiosyncratic content. ✅The male protagonist Chen Shan is an indigenous man. His parents were killed by Japanese soldiers. The eldest brother chose to join the army to avenge his parents, leaving the male protagonist alone at home. The war in the country was intense, and their homes were destroyed. The men went to the streets to find jobs. They unexpectedly got storage space. They learned to make pastries while storing food. They saved money to buy a house and moved into No. 95 Courtyard, where they became a generational partner with He Daqing. After the male protagonist enters the courtyard map, the author narrates the key plots in the TV series in the order of events, such as: The male protagonist moved into the courtyard house, met the deaf old lady He Jia and the Yi family Jia family, the male protagonist married Wang Guilan, the male protagonist had four children, the Liu family and the Xu family and the Yan family moved into the courtyard house, the death of old Jia, the death of He Daqing's wife in childbirth, the birth of Yu Yu, the election of the steward, the origin of the name Silly Zhu, the eldest mother taking care of Yu Yu, and He Daqing runs away, Jia Dongxu and Qin Huairu get married, Bangge and Xiaodang are born one after another, Zhuzi Damao joins the rolling mill, Jia Dongxu dies, Sophora japonica is born, Guangqi Yuyu takes the technical secondary school entrance examination, Damao Xiao'e gets married, Zhuzi starts to support Jia's family, Qin Huairu takes over... It should be time to enter the plot line at the beginning of the TV series! ❌The eldest brother is so contradictory. On the one hand, I understand that he left the hero to avenge his parents and fight the Japanese, but at the same time, do I feel that the relationship between the hero and the eldest brother is still deep after being separated for more than 20 years? At the same time, if the eldest brother had not died, he should have been famous for 20 years but no one knew about it? If he died, there would be a suicide note for the country to send to the hero, right? I feel like the male protagonist doesn't try so hard to find his eldest brother, or the description in the article doesn't feel it. Maybe it's because the line has been dragged on for too long without any results. ❌In the early stage, many original residents were described, with identities, jobs, and names. I was quite looking forward to their storylines, but in the end, they all returned to the countryside and moved away... It would be good if there were more stories about the original residents to enrich the plot. ❌Goldfinger is big and has space, a lot of storage for buying grain, and transporting Japanese grain depots
The novel is really well written, very realistic and interesting, unlike other online novels like Journey to the West, where men and women have endless chores and are the same, and you can tell the end after reading the beginning. I hope the author will keep up the good work.
It's quite good. The protagonist, an indigenous person, stumbles upon a storage space and is able to withstand the temptation. During the Anti-Japanese War, he worked hard to learn how to shop in a noodle shop, stocking up on goods in a low-key way, living a low-key life, and living a down-to-earth life. Quite pyrotechnics.
Smooth, quiet, live a good life, and look good. Come on!
Well, not bad, nothing messy
It wasn't great at the beginning, but it was pretty good later on. The protagonist didn't pretend to be cool, and other courtyard houses were basically demonized. It was really annoying! You're pretty good at this.
Keep a low profile and don't show off, live a stable life, collect materials and treasures in space, don't meddle in other people's business, only care about yourself, and survive in troubled times
It's okay, I can watch it
The numbers are messing around