The year Wujin Niuzhuang disappeared, no one knew it was locked in a deep-sea rift.
On a journey to recover his ancestral property and uncover the truth about his father's deception, from the antique black market in the county to the strange ruins in the deep sea, from the "Eye of the Other Side" of a multinational organization to the "return to ruins" of a sleeping ancient civilization, he found that he was embarking on a dead end road beyond cognition.
He and his wife Tan Xiang, who had dream omens, were forced to be involved in a secret war that spanned a thousand years. The Wujin Bull Stake is not an ordinary cultural relic, but the node key of the ancient "energy network"; what the "Eye of the Other Side" desires is not wealth, but the power to leverage the rules of reality and open dangerous passages.
From the folk arena to the interstellar frontier, the footprints span the north and south, from the mysterious "dark under the lamp" auction to the crisis-ridden abyss of the South China Sea; from the battlefield of consciousness "Return to the Ruins" to the desperate situation of the snowy mountains at the junction of Yunnan and Tibet. In the pursuit, he awakens his bloodline and becomes the successor of the ancient guardian; between sacrifice and survival, Gu Xiang becomes the spiritual light that lights up the way home.
600 Years later, the pollution in Guixu was leaked, and the National Ninth Bureau was established.
Reader comments
This book is different from the routine articles I have seen in the past. It is relatively novel and easy to read.
It has the suspenseful rhythm of "one step at a time, and the pit will be fatal": every time you think the truth is revealed, a bigger reversal immediately slaps you in the face.
It also has the realism of "archaeological details": from the identification of ancient coins to the construction of interstellar spaceships, the author seems to really understand these
There is also the emotional impact of "Swords and Sugar Flying Together": sacrifice is not sensational, but a necessary price; love is not a drag, but the final anchor.
This book may be suitable for readers who:
Readers who are tired of mindless and cool articles and want to have their IQ respected;
I like the suspense of "Ghost Blowing the Lamp" + the layout of "The Three-Body Problem" + the emotion of "Interstellar";
Irresistible to the fusion of "folk mystery culture" and "hardcore science fiction setting";
I am eager to see group portrait stories with growth, sacrifice, and choices.
I read more than ten chapters in one breath. The author is very calm. He does not set the plot according to the golden three-chapter model of online articles. Instead, he follows the logic of plot development and advances in a rhythmic and reasonable manner, making people fall into immersive reading. It's the kind of novel I like very much - it's both readable and connotative, and it's a high-quality work.
This book is different from the routine articles I have seen in the past. It is relatively novel and easy to read. It has the suspenseful rhythm of "one step at a time, and the pit will be fatal": every time you think the truth is revealed, a bigger reversal immediately slaps you in the face. It also has the realism of "archaeological details": from the identification of ancient coins to the construction of interstellar spaceships, the author seems to really understand these There is also the emotional impact of "Swords and Sugar Flying Together": sacrifice is not sensational, but a necessary price; love is not a drag, but the final anchor. This book may be suitable for readers who: Readers who are tired of mindless and cool articles and want to have their IQ respected; I like the suspense of "Ghost Blowing the Lamp" + the layout of "The Three-Body Problem" + the emotion of "Interstellar"; Irresistible to the fusion of "folk mystery culture" and "hardcore science fiction setting"; I am eager to see group portrait stories with growth, sacrifice, and choices.
I read more than ten chapters in one breath. The author is very calm. He does not set the plot according to the golden three-chapter model of online articles. Instead, he follows the logic of plot development and advances in a rhythmic and reasonable manner, making people fall into immersive reading. It's the kind of novel I like very much - it's both readable and connotative, and it's a high-quality work.