When the stellar-class colonial ship "Pangu" disintegrated in chaos, an interstellar pioneering event cloaked in myth began.
In this billion-year-long chess game, heaven is a cold monitoring station suspended in orbit, the underworld is a data pool for recycling consciousness, and the so-called gods are just "shepherds" who lock down the authority of human genes.
As an ancient sequence called "Dragon" was accidentally activated in the modern city, the molten gold vertical pupils opened again in the neon depths.
This is a magnificent construction of civilization, as well as a violent aesthetic of resistance and deconstruction.
When the instructions in the bloodline awaken across the ages, we will finally understand: If we don't kneel to the sky or the ground, everyone in our race will be like a dragon.
Reader comments
The content of the book is very innovative. The theme is to reconstruct some classic myths from the perspective of science fiction. Each chapter is a short story, with prominent individual characters and grand narratives, and the information density is very high.
Myth + science fiction + civilization + disaster, interpret myth as high-latitude technology. The ten-day volley is the runaway nuclear reactor, the sea filled by Jingwei is the information flow of the black hole, and Dayu's three visits to the house are the three times he saw himself in the distortion of time and space. All the myths you know are connected together into an epic story of civilization development and resistance to disaster.
The writing is very good and has a lot of depth, but the first few pictures are a bit dull. As for the "rock" who died in the resonance, there should be more descriptions, instead of just using two sentences to pronounce his death.
At present, it seems that the writing style is good. It is relatively rare in this field. I can give some support.
The macro-level civilization construction is very grand, and the description of gods from the perspective of ordinary people is also very novel, and the writing style is superb! ! !
Myth + science fiction + civilization + disaster, very hardcore science fiction, very interesting
It's strange to use science fiction to rewrite mythology. There are quite a lot of writing styles and narrative methods. I see the shadow of many books.
The content of the book is very innovative. The theme is to reconstruct some classic myths from the perspective of science fiction. Each chapter is a short story, with prominent individual characters and grand narratives, and the information density is very high.
Myth + science fiction + civilization + disaster, interpret myth as high-latitude technology. The ten-day volley is the runaway nuclear reactor, the sea filled by Jingwei is the information flow of the black hole, and Dayu's three visits to the house are the three times he saw himself in the distortion of time and space. All the myths you know are connected together into an epic story of civilization development and resistance to disaster.
The writing is very good and has a lot of depth, but the first few pictures are a bit dull. As for the "rock" who died in the resonance, there should be more descriptions, instead of just using two sentences to pronounce his death.
At present, it seems that the writing style is good. It is relatively rare in this field. I can give some support.
The macro-level civilization construction is very grand, and the description of gods from the perspective of ordinary people is also very novel, and the writing style is superb! ! !
Myth + science fiction + civilization + disaster, very hardcore science fiction, very interesting
It's strange to use science fiction to rewrite mythology. There are quite a lot of writing styles and narrative methods. I see the shadow of many books.