In Step with the Spotlight: My Showbiz Life with Tian Xiwei

There is nothing wrong with the writing, but the plot is a stick in your throat. After only nine chapters, the villain keeps getting stuck in like a dog-skin plaster. It can be clearly felt that whenever the plot develops to a small node, there will be surprises - the problem is that surprises are too frequent. Appropriate resistance will increase readers' expectations, but too frequent resistance will wear away the readers' patience, and not many people will wait patiently for the moment of release. Why can't you wait? Because it really lacks the support of refreshing feeling. For example, the heroine, as the core character of this book and one of the biggest sources of excitement, is not happy and always feels indecisive. If the heroine can always express her attitude resolutely and support the protagonist without sparing any effort, then it will not be particularly uncomfortable to face resistance. The problem is that when all kinds of resistance come, the heroine does not give people the feeling of a cardiotonic, but interferes with the mentality. In addition, it can be seen that the author wants to write more profound content, and the protagonist's repressed and entangled mentality is written over and over again. There may be no problem in writing this way, but it is essentially a trade-off - the more you want to dig into difficult places, the more you are limiting the broad audience you should have.

What the hell? This enemy came out of nowhere and is dead.

The book is not finished yet, it seems like a eunuch. The single-line narrative makes the images of other supporting characters not specific enough.

This villain's setting is too fake