They are the three empresses of Emperor Qianlong - Empress Xiaoxian and Chun Fucha, Queen Nala and Empress Xiaoyi and Chun Wei Jia.
History books only give them a few positions: a white moonlight, a man with broken hair, and a mother who is more valuable than her son.
But no one wrote in detail:
Fucha Yuheng used account books to organize the broken girl's dream into the dignity of a mother's world;
Huifanara Zhiwei, tearing apart all models, leading to the most decisive aphasia in history;
Wei Minshu quietly caught the last phoenix crown without anyone noticing.
Reading Guide:
This non-palace fighting novel focuses on describing the psychological trajectories and survival aesthetics of the three queens within the established historical framework.
The time span is long, from the fifth year of Yongzheng to the Jiaqing period, and runs through the entire prosperous period of Qianlong.
The writing style is calm and delicate, trying to find the real temperature and breath in the gaps between historical facts.
This is a story about the "Queen" - but also about how three women each completed a silent and huge life in the most gorgeous cage.
They shared the pinnacle of an era, but never shared the same dawn.
(Subsequent plot reminder: The story will kick off with Yuheng's wedding, and Nala Zhiwei and Wei Minshu will appear one after another in the subsequent years, eventually laying out the most complete and profound picture of Qianlong's harem.)
