Su Ye, a 24-year-old intangible cultural heritage velvet flower craftsman, has mild social fear and is full of complaints. All he thinks about is building a career and saving money to expand his studio. In her world, love is not as cost-effective as a handmade velvet flower, and sweet words are not as tangible as a deposit.
Lu Shiyan, a 27-year-old Buddhist second-generation rich man, refuses to inherit the family business and runs a tepid niche store. He focuses on a "happy business". He does not dominate the boss or flirt with girls. He is full of empathy and a little confused.
A cooperation in the procurement of intangible cultural heritage peripherals brought together the "money-minded" craftsmen and the "disposable" Party A. There is no love at first sight, only cooperation negotiations that go straight to the point; there is no deliberate ambiguity, only the tacit support of two-way adaptation.
She does not cling to wealthy families, relies on her skills to gain a foothold, and refuses to be distracted by love; he is not condescending, understands her social fears and persistence, and respects her career priorities. There are no misunderstandings, no sacrifices and compromises, the supporting characters have their own growth, and they are not just love tools.
When a sober craftsman meets a Buddhist party, love is not about salvation and dependence, but about each shining and illuminating each other. It turns out that the best relationship is when you work on your career, I stick to my original intention, and by the way, we live our lives together in a smoky and gentle way.
