**

In the face of reality, there is no love. The heroine wakes up early, which is good. In the end, there was career and love.

The plot is quite novel.

I like it very much, I love soberly, I break up easily, I have my own ideals and work hard to achieve them

The male protagonist finally likes it [cover face][cover face][cover face][cover face]

After watching this drama, it reminded me that women cannot rely on men. Just like the heroine, she must have lofty ideals and ambitions in order to reach the top of her life.

The heroine has lofty aspirations, the emperor appreciates her, and the court also needs talents. It's great...

Yes, the second male lead taught the female protagonist at first so that he would not be embarrassed. Later, the female protagonist became more and more powerful. He was afraid or had low self-esteem. This was different from the emperor's pattern. He chose to suppress the female protagonist, piao her, and wanted her to be absolutely obedient and obedient. The comparison between the two showed his superiority and inferiority. The main thing is for the baby girl to strive for success. Happiness is always in your own hands.

"Qingheng" completes the character arc and theme sublimation with a concise narrative, showing the infinite possibilities of short play theme creation. It does not have lengthy branch lines that drag the rhythm, but focuses on the main line of Du Qingheng's growth, using key plots to promote character transformation and conflict resolution; it does not have a stereotyped opposition between good and evil, but gives each character a complex human dimension - Shen Zhan's indecision, Du Yuewei's jealous paranoia, and Wei Wei's combination of strength and softness, all make the story more realistic and immersive.

It's very unique and worth seeing.