Everyone Else Kills Tricks, but I Am the Source of Tricks

The new author has a lot of small problems, and the protagonist's image is not very clear. (Personality is strange and changeable) The overall setting has the sense of déjà vu of a drama god (it's a sense of déjà vu, not saying it is). After reading Chapter 39, which is about 80,000 words, it seems that no specific character image has been established yet (they are all very direct and one-sided). The setting concept is okay. The banquet is played in another instance of Infinite Flow. It is indeed a very suitable way to shape the protagonist's character. But there will definitely be a sense of fragmentation in terms of the look and feel. It should be the second time he plays the role. His attitude towards his sister and his attitude towards saving her in the first place can be seen that he is more temperamental, or he is just like this towards his relatives. Because there is a contrast between this and his normal life, such as his attitude towards the police. However, the description of this content is too protracted, and his temperament and the content of the banquet are additional content attached to his realistic plot and protagonist. It gives me the feeling that the host is not very clear. (If role-playing is the main content, it will directly become unlimited streaming.) The summary is that the content of the plot is not concise enough. There are also slightly more off-the-beaten-path themes, and then there are the first books by new authors. The plot is so smooth at the beginning, it's so damn good. If I hadn't been a book-listening person, I wouldn't have been able to read it. And the main character feels like a marionette to me. The protagonist has been making passive choices, but it did not give me the tragic sense of the inevitability of fate. I don't know why, I just don't feel that way. I feel that if the logic of the whole book is adjusted better, this book will be much better.

Good looking [lick screen]