Su Tang had a thoroughly unjust death in her previous life.
Her fiancé swindled her out of her entire fortune, her own father sent her to a psychiatric hospital, and his mistress pulled out her oxygen tube.
Only after she died did she learn that she had been living in a male-power-fantasy novel called Shanghai Underworld, where she was written as “the fiancée who dies in Chapter Three,” a disposable stepping stone for the male lead, Lu Mingxuan.
And her final fate was to become a single line in the book: “Later, word got around that the eldest daughter of the Su family had gone mad.”
Reborn one month before her wedding, Su Tang smiled and tore up the script.
“Let’s turn this book into a discarded draft.”
