Dressed as an abandoned woman in her 70s, she was splashed with swill by an evil mother-in-law as soon as she opened her eyes and sold her daughter-in-law for food? Su Xiaoman sneered: I am the heir of the intangible cultural heritage mask, and I never use my fists to attack people! Triangular-eyed mother-in-law wants to grab food? Create a "shrew-faced person" and post it on the bulletin board with limericks to make her die; weird relatives want to take advantage? The "best group portrait" of a face-dressed man was assembled, and the whole village laughed after him; the rough guy Lu Ye gave away glutinous rice noodles? He pinched the "rough guy with red ears" with his backhand, forcing him to break his defense on the spot! Others rely on work points to make a living, but she exchanges dough sculpting for food stamps, opens a workshop, and goes to the provincial cultural center. She counterattacks from being an abandoned wife in the compound to becoming a benchmark for intangible cultural heritage, and by the way, she brings home the rough guy who protects the poor. The main theme of this article is "sand sculptures to attack people + counterattack with craftsmanship". The jokes are dense and not embarrassing, and the details of the era are full. Let's see how the dough sculpting boss masters the life of the 70s with dough!
