On an ordinary night, he walks beneath the clear moonlight. In the shimmering water, his true self bows.
Time stands still in Mr. Hui's immortal abode, the Tranquil Retreat, where it is forever a lonely winter. The reed on his flute, Night of Sheng Music, has lain unused for three hundred springs.
At last, on an ordinary night, he walks beneath the silvery moonlight and steps into the noisy mortal world, so long unfamiliar to him.
From then on, his immortal path changes course. He goes from being the lofty “Tuner” to a “Listener” just learning to walk. He listens to the joys and sorrows of everyday folk and breathes in the warmth of ordinary life. As he heals others, he clumsily tries to mend the broken places within himself.
He crosses a thousand miles of lotus ponds and makes his way toward the vast Eastern Sea. He travels not to conquer, but to glimpse, in the shimmering waters of the human world, the complete reflection he left behind three hundred years ago.
And on the far shore of his soul, the emotional self he carved away, named “Zhaojun,” echoes at that same lonely frequency, waiting for a fated reunion and conversation.
This is a “Red Dust Tuning Chronicle” about listening, understanding, and reconciliation.
Only when an immortal finally glimpses his true self amid the vast red dust and bows to it can the Night of Sheng Music, silent for three hundred years, play the first perfect note of harmony in all creation, from a flute with no reed.
Reading it reminds me of Ju'an Xiaoge in "Lan Ke Qi Yuan", but Mr. Ji is a mortal immortal in the human world, but Mr. Tao took a long time to enter the mortal world. I hope the author can keep writing. The most difficult thing for new writers is to persevere.
The subject matter is novel, the narrative is clear, and the plot is very attractive.