
Book Transmigration: The Cannon Fodder White Moonlight Is Caught in a Tycoon’s Clutches
穿书:炮灰白月光被枭雄缠上
- Status
- Ongoing
- Length
- 827k Words
- Genre
- Ancient Romance
- Subgenre
- Palace & Household Intrigue
- Updated
- 2d ago
- Source
- Fanqie
Stats
380Chapters
12kReads
7.2Score
1.3kShelves
954Listens
207.4kReads · all time
Tags
Synopsis
More by this author
In booklists 3
The Perfect, Yet Short-Lived, Unforgettable First Love: What a Great Trope
That feeling when everyone has grown old and lost their true selves, and when you look back, he's the only one still there, just as he was before, standing at the end of your memories and waving at you with a grin, bringing you back to those innocent days. It's just so good.
179Books5.1MViews1dUpdated
Looking for Historical Romance with an Ambitious, Ruthless Male Lead
I'm in a reading slump. Any recommendations for historical romance with a well-written male lead who's a ruthless warlord, the sort who takes what he wants and oozes masculinity? Nothing with amateurish writing, please.
68Books391.4kViews7dUpdated
A Hero of a Turbulent Age and an Unequaled Beauty
Looking for books similar to *The Years of Jin Yu*. Set in turbulent times, purely historical, with no transmigration or rebirth. The female lead takes things as they come, a beauty amid chaos.
40Books333.8kViews17dUpdated
Reader comments 60
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This is an ancient saying, the writing is very good Finally, it's not talking about ancient times in vernacular, nor is it cumbersome and incomprehensible classical Chinese. It makes the little girl feel very comfortable reading it. The plot is also well written, as is the emotional line between the male and female protagonists. The two lines are intertwined and complement each other. At the beginning of the love line, both the male and female protagonists thought that they were so clever that they could win over each other hahahahaha The plot line is also very clear, and only when there are twists and turns can it be interesting. So far it seems to be a good Tomato article
It's good-looking. The heroine is a smart and beautiful noblewoman from an aristocratic family. She doesn't have the chatter and jumpiness of other time-traveling girls, which fits Bai Yueguang's character very well. The male protagonist is considered a powerful feudal official, and the emperor is very afraid of him. The male protagonist falls in love with the female protagonist at first sight, but the female protagonist is very sober and weighs the pros and cons more. There are three male characters who like the female protagonist, but I think the most reliable one is to marry the male protagonist.
After watching it for a while, I feel that the most outstanding thing in it is not the relationship between the male and female protagonists, but the plot line. First of all, I feel that the male protagonist falls in love too easily. He has to marry her once he meets her. The same happened in his previous life. Maybe I haven't seen what is going on behind the scenes. To set the stage, the heroine has always been frustrated and passive, whether it was getting married or entering a temple. Of course, I also understand his situation at that time. The heroine is quite smart and can feel it from some of his words, but maybe she still feels that now. However, the female protagonist has no room for her own development. Most of the male protagonists do whatever they want for her, so my impression of the female protagonist is not even as impressive as the queen and concubine Shu. All I can say is this book, if you don't read it If the emotional line does not focus on the male and female protagonists, you will think that this book will be much better. Especially the plot line of Liu and He's family is really well written. When I saw the chapters where the queen jumped off the building, I was really frightened by the reversal, one link after another.
The author is really great, and the storylines are closely linked, except for the occasional random use of idioms. . . To be honest, although the story is good, I hope that the progress of the main plot can be speeded up a little bit. The female protagonist should not be entangled with two male protagonists, three male protagonists and four male protagonists all the time. The plot feels like it is stalling. It is too entangled and it makes me tired of watching it. Since the male protagonist is destined to be the male protagonist, there should be more plots between male and female protagonists. . . . The heroine feels like a fish pond, but everyone has to be fooled.
The author's writing style is very good, with ancient Machiavellian writing. Although the heroine is in the book, she doesn't seem to have any projection of a modern person, she is completely an ancient person. The male lead and supporting actor have more scenes, more Machiavellian storylines, and very few emotional scenes. There are more than 120 chapters, and there are no intimate (hugging, kissing, etc.) Scenes at all [laughing and crying]
I was so excited when I read it, I giggled every day. What the author wrote was very nice, especially the plot, the emotional line was not the same as other clichés😋😋, it was very nice, and the writing style was also super nice. It is really good to read, I hope there will be no follow-up It's a messy house-fighting script that's common in Tomatoes nowadays. I'm still looking forward to the follow-up development. The young couple I wrote are super sweet and love each other. Tiantiantian likes them. There are no more surprises and the characters are established😚😚😚. The only sad thing is that it is being serialized😭😭
The noble daughter of the Pei family in the sober fishing system VS fights on the battlefield all year round but turns into a love-minded hero It's great~ I like the part where Qin escorts the heroine to the temple. He is domineering and makes people feel that power is a good thing. At the beginning, two men appeared. Although I knew it was 1V1 when I added the bookshelf, I thought they were NP. I liked Xie's character in the past life. I feel that although I am young now, I will definitely become the overlord of the party in the future like the previous life. It's up to the heroine whether she doesn't have to make a choice.
This is really the salvation of my book shortage [lick the screen][lick the screen] The author's writing is sophisticated and neat, every word is exquisite, and there is no sloppy or flowery rhetoric. It is very smooth to read and I took it in at once (when I was in the bottleneck period of the book shortage, I really got tired of reading two) Moreover, the plot of the palace plot to seize power is very touching. The male protagonist is undoubtedly very strong, but the villains (opposites of the male protagonist), that is, the emperor and the queen mother, are not stupid. There are chain reactions one after another. The author did not deliberately weaken the supporting characters. On the contrary, each character is portrayed very well. What surprised me is that the role of the emperor is really smart! ! ! ! ! ! Strong recommendation Heroine: She wants a devoted lover. She also wants the supreme power in the world. How could there be a "fish" like Qin Xian in this world? If Qin Xian can really marry her, he should give Xiao Huaixu a respectful kiss. The female protagonist uses her body as bait, and the male protagonist fights and grabs for it, fearing that someone will take the bait away if she swims too slowly. I really love this kind of pulling. This is a two-way love affair with "I miss you when you are here, you miss me". Only the male protagonist can protect the beautiful and beautiful heroine, and none of the male partners do anything practical. I think they are all talkers [shocked] The male protagonist respects her, respects her, loves her, understands her, supports her unconditionally and protects her. This alone kills the male partner in an instant. It's no wonder that the female protagonist chooses Qin. The male protagonist is already making plans at the first sight when he sees the female protagonist. The sense of security brought by the years, others only feel a sense of crisis when the female protagonist is hurt. It's no wonder that the original protagonist is dead (it's such a pity for the original protagonist, he should be shining with golden branches and jade leaves) The relationship between the two of them is so sweet when the heroine plans to escape from trouble and the hero protects her from Beijing. [Licking the screen] [licking the screen] [licking the screen] and the heroine's sharp ambitions also have room to display.
This is very well written. The influences caused by "travel" are very detailed. Moreover, this transformation is not abrupt at all and is very reasonable. The ability to form a tripartite force with the emperor should not be underestimated. This is the first time I have seen the ability of these three pillars written out. (Other novels basically describe how they were suppressed by the male and female protagonists). I can only say that it is not easy to reach the current position. They always find ways to break the situation that surprise me. At present, the "smartness" of the male and female protagonists has not been particularly reflected. I just read Chapter 35.
The writing is really good, everyone's IQ is online, there is no villain or not, they are all strategies of different camps. Even the female supporting characters in it cannot be underestimated.