Others who travel to another world are either brave men or heroes. And I, Lin Chuan, an ordinary college student who was writing essays, chatting about second-tier games, and playing "Border Bus" in the dormitory at the same time, succeeded in committing suicide because I spilled some iced black tea while trying to order some red wine - I was electrocuted.
When he opened his eyes again, the familiar dormitory was gone, replaced by a stench comparable to biological and chemical weapons and a stifling pile of rotting garbage beneath him. Yes, I, a senior monthly game geek, gloriously traveled into my favorite (not) game world, and the starting refresh point was a trash can in a back alley.
In this ghost place called "the city", the nest is an unreachable dream, and the back alleys are the reality of cannibalism. Twisted monsters, dangerous terminators, mysterious associations, and those "wing" companies that only exist in the game... All the settings are lifelike, except for my health bar and save key, why is there this?
All I have is a fool's system and my own understanding of the Moon Project worldview.
Now, I have to use my fat nerd's physical fitness, game nerd's knowledge, and my overwhelming will to survive. In this back alley where even breathing may cost money, I have to understand a few things:
1. Climb out of the trash can without starving to death.
2. Find out if I am considered a "person" here.
3. To live.
This immersive and 100% painful "monthly journey" starts from this bucket.
(Or, you can just find a way to get into a company as a clerk!)
Reader comments
It's really good, high-quality grain and grass. It would be better if there was no system.
Turn off the system language function
After reading the plot of the latest chapter, I really have a question, that is, how can the protagonist understand what Dante is saying, and there is no one else to translate for the protagonist?
I would like to give the author some suggestions for subsequent writing (more like what I want to read later). After the plot of Chapter 6.5 Of Border Bus, I strongly suggest that the author use the 100,000 eyes earned by J's Nest to strengthen the protagonist through a strengthening surgery, spend money to let the movie sister teach the protagonist combat skills, buy new equipment, etc. Wait, at least strengthen the protagonist to level 6 or 7 (the protagonist is still too weak now). After that, I think the protagonist should accept a few formal commissions (the kind with formal contracts). It may be better to bury some foreshadowing and clues in a few small commissions, and then continue to describe the main plot. This may be better
By the way, did the author actually write an outline? You are really thinking about whatever comes to your mind now. If you have free time, I suggest the author write a detailed outline first (if the author has not written one)
Not bad, but the system is not necessary. It would look better without the system.
It's very good and I like it, but the system feels unnecessary. After all, there is no need to write a system to become stronger.
Scrapping around at the bottom, it's not that exciting in the game anyway. I want to see the protagonist be strong enough.
It's still okay to read it now, but I don't know if any good shows will show up later. After all, I just saw that the cover was clicked on by a good show from the past.
You can write well, keep up the good work
I personally don't think it's toxic at all, but if someone can't stand the slow heat lines, then I have nothing to say. In my opinion, this is pretty good
The writing was awesome, especially during the W train period. I hope I can get that notebook again after I go out, and don't think about that notebook becoming a tool abnormality.
It's okay, it feels a bit urban.
Not bad, but I'm more curious about the protagonist's current timeline
It's really good, high-quality grain and grass. It would be better if there was no system. Turn off the system language function
After reading the plot of the latest chapter, I really have a question, that is, how can the protagonist understand what Dante is saying, and there is no one else to translate for the protagonist? I would like to give the author some suggestions for subsequent writing (more like what I want to read later). After the plot of Chapter 6.5 Of Border Bus, I strongly suggest that the author use the 100,000 eyes earned by J's Nest to strengthen the protagonist through a strengthening surgery, spend money to let the movie sister teach the protagonist combat skills, buy new equipment, etc. Wait, at least strengthen the protagonist to level 6 or 7 (the protagonist is still too weak now). After that, I think the protagonist should accept a few formal commissions (the kind with formal contracts). It may be better to bury some foreshadowing and clues in a few small commissions, and then continue to describe the main plot. This may be better By the way, did the author actually write an outline? You are really thinking about whatever comes to your mind now. If you have free time, I suggest the author write a detailed outline first (if the author has not written one)
Not bad, but the system is not necessary. It would look better without the system.
It's very good and I like it, but the system feels unnecessary. After all, there is no need to write a system to become stronger.
Scrapping around at the bottom, it's not that exciting in the game anyway. I want to see the protagonist be strong enough.
It's still okay to read it now, but I don't know if any good shows will show up later. After all, I just saw that the cover was clicked on by a good show from the past.
You can write well, keep up the good work I personally don't think it's toxic at all, but if someone can't stand the slow heat lines, then I have nothing to say. In my opinion, this is pretty good
The writing was awesome, especially during the W train period. I hope I can get that notebook again after I go out, and don't think about that notebook becoming a tool abnormality.
It's okay, it feels a bit urban.
Not bad, but I'm more curious about the protagonist's current timeline
Very good, okay
It's okay, but it feels a little heavy
The author writes well.
Not bad, worth watching.
Good books need no words
Very beautiful and very fun