When other people transmigrate to another world, they become heroes or champions. Me? I’m Lin Chuan, an ordinary college student juggling a thesis, gacha games, and Limbus Company in my dorm. One disastrous clash of wills left me seeing red, and I knocked over my iced tea. I managed to kill myself through sheer stupidity and got electrocuted into another world.
When I opened my eyes again, my familiar dorm was gone. In its place was a stench fit for a biological weapon and a heap of rotten garbage digging into my back. That’s right: I, a veteran Project Moon gaming addict, had gloriously transmigrated into the world of my favorite (not really) game, and my starting point was a dumpster in a backstreet.
In this hellhole called the City, the Nest is an unreachable dream, while the backstreets are a reality that devours people. Distortions, dangerous Fixers, mysterious Associations, and those Wings that only existed in the game… Every detail is vivid and real, except my health bar and save button. Why do I even have those?
The only “golden finger” I have is a dumb System and my knowledge of the Project Moon universe.
Now I have to rely on a couch potato’s stamina, a gamer’s knowledge, and an overwhelming will to survive. In these backstreets, where even breathing might cost money, I need to figure out a few things:
1. Climb out of the dumpster and avoid starving to death.
2. Find out whether I count as a “human” here.
3. Stay alive.
This immersive, one-hundred-percent-painful Project Moon journey begins in this dumpster.
(Or maybe I could just find a way to get an office job at one of the Wings!)
It's really good, high-quality grain and grass. It would be better if there was no system. Turn off the system language function
After reading the plot of the latest chapter, I really have a question, that is, how can the protagonist understand what Dante is saying, and there is no one else to translate for the protagonist? I would like to give the author some suggestions for subsequent writing (more like what I want to read later). After the plot of Chapter 6.5 Of Border Bus, I strongly suggest that the author use the 100,000 eyes earned by J's Nest to strengthen the protagonist through a strengthening surgery, spend money to let the movie sister teach the protagonist combat skills, buy new equipment, etc. Wait, at least strengthen the protagonist to level 6 or 7 (the protagonist is still too weak now). After that, I think the protagonist should accept a few formal commissions (the kind with formal contracts). It may be better to bury some foreshadowing and clues in a few small commissions, and then continue to describe the main plot. This may be better By the way, did the author actually write an outline? You are really thinking about whatever comes to your mind now. If you have free time, I suggest the author write a detailed outline first (if the author has not written one)
Not bad, but the system is not necessary. It would look better without the system.
It's very good and I like it, but the system feels unnecessary. After all, there is no need to write a system to become stronger.
Scrapping around at the bottom, it's not that exciting in the game anyway. I want to see the protagonist be strong enough.
It's still okay to read it now, but I don't know if any good shows will show up later. After all, I just saw that the cover was clicked on by a good show from the past.
You can write well, keep up the good work I personally don't think it's toxic at all, but if someone can't stand the slow heat lines, then I have nothing to say. In my opinion, this is pretty good
The writing was awesome, especially during the W train period. I hope I can get that notebook again after I go out, and don't think about that notebook becoming a tool abnormality.
It's okay, it feels a bit urban.
Not bad, but I'm more curious about the protagonist's current timeline