In the 1950s, Ning Baoer, a three-year-old girl, was born in the top-secret "Kilin Project" and was the first super human in China to awaken her powers.
In order to let her have a childhood, the country sent her to a family home in a remote military area to be raised by meritorious veterans.
Unexpectedly, enemy agents infiltrated, and a conspiracy to explode the military factory quietly unfolded.
At the critical moment, Baoer held the milk bottle in his mouth, punched through the steel plate, kicked the spy leader away, picked up the unexploded explosive package and threw it into the glacier in the sky full of fire.
The entire military region was stunned by the savior wearing a tiger hat. The old commander decided on the spot: "What's wrong with childhood? The country needs you! Enlist in the army immediately and be awarded the title of Soldier King!"
Reader comments
The child is cute and strong, but the human-machine feeling is too strong and not popular. The author's words are too exaggerated. There are too many adjectives and exaggerated metaphors that are too outrageous. The author will add exaggerated metaphors to describe every word, deed, and action, which completely changes the flavor of this novel. It is very gaudy and the direction of the events is also very strange. I have watched several events and plots that happened in a few episodes. The emotional connection is too far-fetched and too intellectual. The author makes the positive people in it very smart and thoughtful, as if nothing can trouble them. You can guess that there is something wrong with the other party with a look, you can guess that there is a bomb with a movement, you can think of a way to report to the chief with a camera, write a letter and take a picture and hang it on the child's neck. Why do you need to take a picture when I go? We are planning to face each other face to face, why should we film it if we just talk and act? Hanging a camera can also be said to let the children give demonstrations [laughs awkwardly]. Their "smartness" is really too forced and far-fetched, without logic, and too human-machine feeling.
The more you look at it, the better it looks!
The smart guy, the kid, the super super spiritual power crit hurts the bad guys [Like][Like][Like]
The child is cute and strong, but the human-machine feeling is too strong and not popular. The author's words are too exaggerated. There are too many adjectives and exaggerated metaphors that are too outrageous. The author will add exaggerated metaphors to describe every word, deed, and action, which completely changes the flavor of this novel. It is very gaudy and the direction of the events is also very strange. I have watched several events and plots that happened in a few episodes. The emotional connection is too far-fetched and too intellectual. The author makes the positive people in it very smart and thoughtful, as if nothing can trouble them. You can guess that there is something wrong with the other party with a look, you can guess that there is a bomb with a movement, you can think of a way to report to the chief with a camera, write a letter and take a picture and hang it on the child's neck. Why do you need to take a picture when I go? We are planning to face each other face to face, why should we film it if we just talk and act? Hanging a camera can also be said to let the children give demonstrations [laughs awkwardly]. Their "smartness" is really too forced and far-fetched, without logic, and too human-machine feeling.
The more you look at it, the better it looks!
The smart guy, the kid, the super super spiritual power crit hurts the bad guys [Like][Like][Like]