My name is Chen Mo, a police undercover agent. In order to take down the biggest gangster in the city as soon as possible, I fought hard even to the death, even harder than a real gangster. As a result, the old gang leader passed his seat to me before he died.
The superior issued the most outrageous mission: let me continue to be the boss undercover!
I feel panicked in my heart. I have to continue to stage the gangster drama to Oscar level until the real giant behind the scenes is fished out.
But soon, I discovered that something was wrong with this gang: smuggling always failed, the loan sharking contract was as legal as a textbook, and the men fought exclusively for self-defense...
Where is the gang here? This is a legitimate company!
So if this is a regular company, then who am I hiding behind?
Reader comments
At a time when traditional undercover themes are almost exhausted, I hope to use this work to provide an amazing way to break the situation and open up the innovation gap in genre novels.
The work cleverly combines the serious police and gangster struggle with the absurd workplace comedy. On one side is the life-and-death game where the protagonist walks on the edge of a knife, and on the other side is the famous hilarious scene of "a gang meeting to discuss paying taxes according to law."
This kind of contrast draws on the mash-up aesthetics of "This Killer Is Not Too Cold", not only to bring unexpected surprises to readers, but also to allow the story to grow new branches unique to this soil in a localized context.
At a time when traditional undercover themes are almost exhausted, I hope to use this work to provide an amazing way to break the situation and open up the innovation gap in genre novels. The work cleverly combines the serious police and gangster struggle with the absurd workplace comedy. On one side is the life-and-death game where the protagonist walks on the edge of a knife, and on the other side is the famous hilarious scene of "a gang meeting to discuss paying taxes according to law." This kind of contrast draws on the mash-up aesthetics of "This Killer Is Not Too Cold", not only to bring unexpected surprises to readers, but also to allow the story to grow new branches unique to this soil in a localized context.