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Why does the heroine insist on calling herself daddy, and also likes to call her roommates daddy [what] Does the author subconsciously like men [what]

It can be regarded as a novel about the Noble Academy heartthrob. I feel that there are very few elements of the female mother-in-law (almost no impression). The heroine's character is quite cute, but I don't like the male supporting characters very much. The heroine is always shy and easy to be tempted for some unknown reason (system or hormones). Then maybe my mind seems to be confused, and some parts are not clearly described. Another thing I personally don't like is that the heroine gradually has no way to leave and is assimilated. The reason is that she has feelings for her. If it is for her grandma, then I feel that the space about grandma is not enough. Why she doesn't want to go back has not been mentioned, so it is not very powerful. But overall, the writing in Tomato is pretty good, not too exaggerated or embarrassing, and it's still worth watching.

This is the first time I have seen such a frustrated nunwen. The heroine has to coax several men in the early stage, which feels a bit humbling, especially her deskmate who has low self-esteem. Those who didn't know better thought that her deskmate had saved her life.

It's okay, but it doesn't feel like a nanny. It's actually more like an unconscious strategy article with a bit of ancient style. The highlight is that in the early stage, the article will be based on the heroine's emotional or life abuse points. For example, every time she wants to confirm the relationship, she will fail for various reasons and give others a chance ( Luo is afraid of implicating the heroine, Yun has bad intentions) There is also the latest chapter where the heroine's grandma has an accident. The contact with Si is deepened and the plot is introduced to An, but the taste is also here. Those who like sourness and the crematorium in the later stage can join it, but judging from the current progress, the crematorium may take a while.

I quite like the heroine character, but there are too many scenes with the same tablemate, and just because he likes the heroine and has low self-esteem, he alienates the heroine and has the heroine to coax him. What kind of heroine is this? Moreover, this deskmate doesn't have much charisma. It's a bit outrageous that the female lead is required to coax the male counterpart.

To be honest, it's more like the misunderstandings in the old days when Mary Sue didn't open her mouth than being a nun.

The plot is okay. The heroine and her friends sometimes say things that are degrading to women. For example, the heroine's roommate would say, "You're so fucking capable." Moreover, the image of the heroine should be that of a fragrant and soft little cake, but the heroine also likes to say things like "climb for me" and "call daddy", which feels very unflattering. And why the fact that the original male protagonist liked the original female protagonist was not clearly stated in the introduction? Isn't this a sign of unclean heart? I feel like I feel uncomfortable every time I see the plot between him and the original heroine. Also, there are several male supporting characters who have obviously fallen in love with the female protagonist, but for various reasons, they ridiculed and cold-violated the female protagonist. The female protagonist felt aggrieved and took the initiative to start the conversation, but the male supporting characters still cold-blooded and violently abused her. The heroine has done something wrong to deserve this kind of anger. So, let the female protagonist control lightning protection?

The image of the heroine was well created in the previous part. It doesn't matter whether there is a mother-mother element or not. In fact, she looks gentle and soft as a campus goddess, but she is crazy and vomiting on the inside. It is really cute. After about forty chapters, I don't know what to say. When I see a man, I think of that kind of thing. I don't know why it is completely different from the previous performance. The main reason is that there are no transitional events in this period. Suddenly I feel that the heroine is not satisfied with her desires, and I have to arrange for Yun, a naughty guy with evil intentions, to come and solve the heroine's desires. Then after grandma's accident, she was inexplicably thinking about men again in the car. Later, she went to Sponsor Yun's house and started the Brain 8 Theater again... I really don't understand. The male characters also have no idea what they are doing and are all portrayed inexplicably. What are they pretending to be?

After reading it, I thought that the heroine would make full use of her own advantages to achieve her own goals. However, the author kept repeatedly describing how the heroine was confused by the beauty of the male character, which made me feel that the heroine was very cheap. 1: The male protagonist Yuan Jisu used the public opinion of his classmates to spread rumors and oppress the heroine. He just said "I'm sorry" and gave him a bear doll and he was forgiven. How can you be so cheap, heroine? No sense of deservingness at all 2: Yun Siming is full of rotten traits. He has made countless girlfriends but dumped them. He is not sincere in his feelings. The heroine actually wants to have physical contact with him. The hickeys on his neck are really not picky... The key point is that Yun Siming took advantage of the heroine, and when he was exposed, he felt no guilt, no psychological burden, and no sense of satisfaction!!!

The more I look at the back, the more inexplicable I feel. Grandma is in an accident and is hospitalized. The heroine can still think about things between men and women and love. The current male characters are not very good. Wen Siming is the one I hate the most. Even if the heroine is greedy, she should be more picky. The feeling of thinking about each getting what she needs is more like a spiritual victory.