This is an old-style light comedy with its own "pyrotechnics". The protagonist Lin Wan is a "furnace blaster" in the alchemy department of the palace. Her daily alchemy life is either in the furnace or on the way to the furnace.
This little alchemist with a high ponytail and a mini cauldron hanging from his waist always has weird formulas: he wants to make the "Eternal Youth Pill", which can blow up the Queen Mother's hair into a chicken coop; he wants to make the "Quick Horse Pill", but the prince who stole the medicine turns into a panda head; even the "Flower Language Pill" can make the flower collective of the Royal Garden "exploit" and turn the palace into a lively market.
People in the palace complained about her as a "trouble maker", but they couldn't live without her: the queen mother secretly learned how to make alchemy from her, the prince chased after her to "eat fat-free pills", and even the emperor agreed that she was "causing havoc" in the alchemy room. There is no intrigue in the story, only the dark faces after the furnace explosion, the rush when stealing medicine, and the collective death at the flower viewing banquet - every famous "overturn" scene is wrapped in lively fireworks, turning the palace into an "alchemy playground" full of laughter.
The author of "Super Blessings" uses a relaxed style of writing to incorporate the oolongs of alchemy and the contrast of characters into daily life, allowing Lin Wan's "unreliability" to hide fresh loveliness, and also allowing the big shots in the palace to take off their airs and become ordinary people who love to make trouble secretly. Opening the book is like squatting at the door of the alchemy room watching a lively scene, laughing and laughing, and even the days become lighter.
