After the Divorce, I Amazed the World with My Design Drafts

"On the day of the divorce, Lu Jingchen threw the embroidery manuscript I had worked on for three nights in the rain: 'Su Wan, your embroidery work is rubbish and you are not worthy of Mrs. Lu's position.' I carried the old Xiangyun gauze material left by my grandfather and set up an embroidery tent in the old yard - the gold plate of Su embroidery and the embroidery of Cantonese embroidery are craftsmanship engraved in my bones, and they also gave me the confidence to return to the design circle. When the "Splendid China" series was launched at Milan Fashion Week and the global media was excited about the intangible cultural heritage embroidery skills, Lu Jingchen stood downstairs in the studio with red eyes: "Wanwan, I was wrong." ' I turned around with a smile and fell into the hot ginger tea handed over by Gu Yanchen - he was the investor who understood my original intention of "keeping art", the partner who accompanied me to make up for the embroidery draft, and the one who pinned the magnolia flower I embroidered on the collar of my suit. From the abandoned Mrs. Lu to the intangible cultural heritage designer who amazes the world, my stitches contain the counterattack after divorce and the beautiful craftsmanship passed down by my ancestors for thousands of years. "