One Hit Song a Week, and You Call That Writer Washed Up?

Jiang Yuan died suddenly and transmigrated.

The original owner was once a wildly popular original singer, but after turning twenty, he could no longer write a single song that moved people. Everyone thought his talent had run dry.

When Jiang Yuan arrived in this world, he awakened the All-Round Superstar System.

And so,

with the song “Too Soon,” he announced the return of a king. The song was even hailed as the new generation’s ultimate anthem for lovesick fools.

When “Blue Lotus,” “The Old You,” and “The Ordinary Road” came out, countless people quit their jobs and set off in search of poetry and distant horizons. He became the president of China’s National Resignation Association, a strategic partner of Huashihua, the image ambassador for Chinese tourism, and the spokesperson for Highway 318.

“East Wind Breaks,” “Blue and White Porcelain,” and “Fireworks Fade” pioneered Chinese-style music and sparked a nationwide craze for the genre.

“No Place to Hide,” “Nothing,” and “Life in Full Bloom” earned him the title of godfather of the new era of rock.

“You at the Same Desk,” “Love and Dust,” and “South of the Mountain” brought folk music into the mainstream.

As soon as “As You Wish” played, the entire internet was moved to tears.

With “Dark Fragrance” and “Let Her Land,” he dominated the field of commissioned theme songs. Invitations poured in, but he accepted very few, making his songs nearly impossible to get.

For a time, the name Jiang Yuan became a nightmare for countless musicians across China.

The day he announced his retirement, countless fans howled at the sky. Meanwhile, someone revealed his secret identity as a screenwriter.

What?

You’re saying Jiang Yuan also wrote the scripts for “My Own Swordsman,” “Home with Kids,” “Happy Planet,” and “Dying to Survive”?