In the old city deep among the flowers, Yun Che wanders the boundary between the living and forgotten souls in the name of a psychic. There seemed to be shadows of flowers flowing on his fingertips, and he could hear the ghosts whispering in the night about the past that was buried in the dust. And these souls both long to be remembered and are afraid of reappearing the pain. In an accidental encounter, Yun Che met a soul who had forgotten himself. The other party guided him to uncover the cracks in the city's memory with riddle-like fragments. Yun Che's motivation is not only redemption, but also self-discovery: he suspects that his memory is also missing, and the forgetfulness of his soul may be related to him.
The story unfolds in a time and space intertwined with flowers and gray shadows. The dialogue between souls is like the falling of petals, highlighting the entanglement of life and memory. The core conflict is: Yun Che must choose between protecting the peace of forgotten souls and awakening their painful memories, and every choice brings him closer to the truth and further away from himself. The novel uses poetic language to describe the symbiosis of spirit and city, flower and shadow, and shows the aesthetics of forgetfulness and the cruelty of redemption. Deep in the flowers, is Yun Che the savior, or the deepest forgetfulness?