In the void, there stands a door - which is a paradox in itself. The greater paradox lies behind the door: infinite doors are nested layer by layer, forming a labyrinth of blasphemous geometry. In this ruin of reason, a rat-shaped human-faced statue is moving indifferently. It is not "opening" the door, but penetrating the wall like a ghost, using its stone body to coldly touch the surface of each door again and again, leaving an indescribable invisible trail.
