Lin Yan, a descendant of Suhang Brocade Weaving Co., Ltd., Was sent to guard the Ancient Brocade Pavilion because he had no talent for brocade weaving. However, when the Phantom Weaver Demon attacked, he accidentally awakened Jin Yao, the brocade weaving spirit who had been sleeping for thousands of years. Although he cannot elicit the ordinary aura, he has the unique talent of perceiving the original aura of intangible cultural heritage - he can read the history of sericulture in the Spring and Autumn Period from the texture of the brocade, and touch the fire soul of the kilns of the Tang and Song Dynasties from the glaze color of the porcelain.
When the spiritual veins of Jingdezhen's porcelain pattern were contaminated by the cracked porcelain Gu beast, the Huizhou wood carving array was destroyed by the mute-voiced opera demon, and the Kunqu opera sound pattern protection boundary was on the verge of being broken, Lin Yan and Jin Yao embarked on the road of seeking art in Kyushu. He worked with Jingdezhen porcelain girl Su Qingci to burn "lingyun celadon", and repaired ancient carved screens with the Huizhou wood carving spirit statue. Using "brocade as a shield, porcelain as a blade, and wood carving as an array", he turned intangible cultural heritage skills into a force to resist the illusion.
From the intangible cultural relics in the human world to the temple of hundreds of arts in the spiritual world, and then to the abyss of broken arts in the fantasy world, Lin Yan gradually understood that guarding art is not about adhering to techniques, but guarding the roots of a thousand-year culture. It is to let the silk for brocade, the soil for porcelain, and the wood for wood carving burn into light that illuminates the three realms. This is a cross-racial protection, and it is also a hymn to the three realms of intangible cultural heritage skills.
