
Transmigrating into a Book in the 1950s: I Steal the Heroine's Fortune and Make a Comeback
穿书五零:抢了女主机缘后逆袭了
- Status
- Completed
- Length
- 370k Words
- Genre
- Modern Romance
- Subgenre
- Period Fiction
- Updated
- 6mo ago
- Source
- Fanqie
Synopsis
Other names
- The 1950s Cannon Fodder: I Win by Snatching Opportunities五零炮灰:我靠抢机缘躺赢了Alternate title on Fanqie
173Chapters
860Reads
6.5Score
100Shelves
340Listens
185.6kReads · all time
In booklists 3
Period Setting + Storage Space + Supplies + No Goody-Two-Shoes
😭 I'm out of books to read and desperately need something to keep me going. Waiting here, and I'm in a real hurry.
623Books44.6MViews2dUpdated
Period-Era Stories: Satisfying and Unfrustrating, Where Anyone Who Refuses to Yield Fights Back!
Looking for something like "Transmigrating to the Era: The Vile Supporting Female Does Whatever She Wants". Please recommend something well-written. Don't recommend poorly written books, thanks.
177Books44.9kViews2moUpdated
Period Dramas + No Going to the Countryside + Transmigration + Personal Space: Set in the 1960s and 1970s
Looking for books similar to "Slice of Life: Family Squabbles in the City". The heroine transmigrates to the 1960s or 70s but doesn't go to the countryside. She has a pocket dimension, isn't a self-sacrificing saint, doesn't hand out aid, and there aren't too many awful characters.
105Books22.5kViews7moUpdated
Reader comments 24
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How should I put it? The writing is online and the outline of the plot should be OK at the moment, but I felt a little uncomfortable watching it. It's not a question of which point. First of all, it's not that I can't accept time travel by ordinary people with weak psychology, and it's not that I can't accept cheats, but what do you say about the protagonist? After reading half of the book, he has barely grown, and he is always in a state of anxiety when encountering problems. This cheat is quite big (it can enter a space where people can grow, and a mall where you can exchange things and skills). As a result, there are logical conflicts whether you want to read a growth story about an ordinary person or a cool story about Goldfinger. First of all, Goldfinger is already different from ordinary people. As a reader, you will definitely have higher expectations for the protagonist. However, when encountering something, it repeatedly describes the anxiety and nervousness of the protagonist as an ordinary person. In fact, it is a repeated suppression of this expectation. The two settings are pulled together, which makes me uncomfortable watching it (only represents my personal opinion). Secondly, there is a conflict between the protagonist's behavior and psychology. Every time before and after he does a very bold act, it takes almost one or two chapters to describe how scared, anxious, and concerned the protagonist is. But if you look closely at the behavior, you will have an encounter with a suspicious person, steal a key into a data room, follow a spy to find gold, etc., And also describe the process of being suspected and questioned. It's not that you can't be cowardly or courageous, but it's a bit awkward if your mentality and behavioral logic don't match up. Ps: In view of the above problems, it may be my personal preference. It is not ruled out that some people like this style, so I only deducted one star. The author's writing style is still acceptable. The overall plot development does not seem to have major flaws at the moment. Friends who don't mind these problems can join.
It seems to be okay so far. Is there a male protagonist? At present, no suspicious ones have come out. In fact, if Chief Gu has a cultivation space and travels through time at the same time, he can have sex with the original heroine if he doesn't have one.
In the article, the heroine is compared to a holy mother, devoting almost everything to her family. The description of the heroine's inner drama is too anxious. The emotional scenes between the male and female protagonists later in the movie are relatively bland, but the twist at the end is quite surprising. I like the heroine's final decision, but the ending is too hasty. There should be more extra chapters about the heroine going back to her life.
The front is a bit messy, but the back is okay. I like that we are not against the original protagonist. It's nice that we have our own lives. The scenes with Comrade Xiao Xie are so sweet hehe!! Many people say they don't like female protagonists helping the poor, but when I read the latest chapter, I found that the only thing you can do is pay money to your family when you first find a job, and buy food for your family during the famine. After the famine, won't it be gone? To put it bluntly, the heroine can still eat and drink well by herself while letting her family members in the countryside starve to death??? Isn't this too inhumane? Even though the heroine has traveled through time, she can't just stay in the factory dormitory to eat and drink so that her family members can starve to death because of the so-called non-poverty alleviation? After all, he has resurrected and used the body of his original owner!! I really don't know what some of the comments mean... At any rate, I just helped out when I first found a job and during times of famine. It's not like I was sucked by blood all the time after traveling back in time. Moreover, my original family members were also very good to the heroine...
Ordinary wage earners are still motivated to work as cows and horses after studying hard Grab the golden finger of the heroine at the beginning, and try to change the ending of the original book Lin Shu discovered with her own eyes that she had inexplicably slipped through the book and became the implicated cannon fodder. Knowing the plot well, she took the opportunity to act as a transparent person in the drama. How do ordinary people live their small lives delicately and efficiently within their own capabilities?
It is worth recommending. He is devoted to his career, pays attention to small things, and always stays awake. The heroine is not a saint, and he is decisive in dealing with things. Although there is space, he does not sell food in large quantities to make money. He does not have the power to defy the heavens, but he is capable of not offending others and I will not offend others. If there is a grudge, he will avenge it on the spot, not overnight!
In the ending, the heroine returns to modern times. She came back when she was married to the hero. The hero and heroine are not together.
I really thought she was going to stay [salute]
I really like novels with this theme, but I didn't put too much romance in it at first.
Is the male protagonist Gu Yanchen?